The year is 1891, and Count Dracula and his sex-and-spanking-crazed harem of beautiful handmaidens are still camped out in Dracula’s ancestral castle in Transylvania. Dracula’s brother Vladimir’s head currently adorns a spike on the castle battlements. His brother Nikolai’s head, while for the moment still attached to his shoulders, is filled with resentment for Dracula and a continuing desire to depose him as head of the family.

Dracula’s beautiful wife Anna and his demanding mistress –– and cousin –– Carmilla are each jockeying for position as his Number One squeeze, and he has two newly-acquired sons he doesn’t have a clue what to do with.

Meanwhile, the genteel young ladies of the nearby Miss Peabody’s Exclusive Academy For The Education And Refinement Of The Daughters Of Gentlefolks are all still waiting impatiently for Dracula to fly through their bedroom windows at midnight, to endow upon them the sexual awakening of a lifetime and an introduction into Dracula’s twilight world of pleasure deliciously commingled with pain.

Add to this his domineering mother, his four sex-mad sisters, his temperamental nude handmaidens and a cartload or two of angry villagers, and you might just have an idea of why, for this year at least, Dracula’s dance-card is fully filled out…

This book, as all the ‘ANNA’ books are, is based on characters created by fellow Irish authors Bram Stoker and Joseph Sheridan Le Fanu, and is dedicated with much love to the late Sir Christopher Lee, whose performances in the HAMMER ‘Dracula’ films inspired every word of it. May he rest in peace… until he rises once more from the crypt in which he rests…



When Vanessa opened her eyes after her swoon, it took her several moments to take in her surroundings fully. She felt so terribly woozy and light-headed, and yet so far she had not herself partaken of any strong alcohol, unlike her foolish husband Edward! The thought of Edward made her gasp and sit up straight, and it was then she noticed that she was in a bed.

It was a double bed, in a bedchamber quite unlike the room she shared with Edward at the inn. The furniture here was old, very old, but not cheap, like the furniture at the inn. Here, the four-poster bed, the huge twin wardrobes, the two dressing-tables on either side of the bed, one for the male, one for the female, and the chairs and armchairs all looked as if they had stood here for a hundred years and more. They were made of a quality and a superior wood one did not often come across nowadays.

Full-length drapes of the heaviest wine-colored velvet hung at the window, which stood open and allowed a light breeze to permeate the room. A small fire crackled brightly in the grate, and over the mantelpiece hung a huge portrait of a very imposing woman, with a magnificent bosom in a low-cut gown of midnight blue and a trickle of blood running from one corner of her red full mouth.

‘I see you’re admiring the portrait of my esteemed Cousin Elizabeth Bathory,’ said a cultivated male voice from somewhere to the left of her. ‘What an admirably single-minded young woman she was, and how many other young women she was more than prepared to sacrifice in pursuit of eternal youth and beauty! I still correspond regularly with her descendants, you know. Remind me to tell you sometime of their exploits. They make for some rather interesting listening, I can assure you. A singularly bizarre lot, the Bathorys.’

Vanessa jumped. Good heavens, she was not alone! She stared in fearful amazement at the extremely tall man she just about remembered meeting in the Great Hall before her swoon. He was undressing to the left of her, placing his dark clothing casually on a chair. His long black cloak, a fabulous piece of workmanship lined inside with red satin, was hanging on the outside of the wardrobe. The clasp looked to be made of real silver, and a heavy, ancient silver at that.

For the first time since opening her eyes, Vanessa realised that she was not wearing the beautiful bronze-coloured gown she had worn to visit the castle and meet the Count and his no doubt charming wife and family.

And indeed how could she be, since it was currently hanging on the outside of the second twin wardrobe, in tandem with the Count’s billowing black cloak! They looked quite at home together, the two garments, as if they had been accustomed to hang together thus, side-by-side in familiarity and companionship, for many a long year.

Vanessa looked down at herself and shrieked. Under the bedclothes, she was clad only in her long petticoat of white lace. Why, she was indecent, practically naked, in the presence of a strange male! Edward would be horrified, scandalised, mortified!

Her pale white breasts heaved in embarrassment over the low neckline of the petticoat, which action only served to make them more prominent and, though this mortified her further, more appealing to the watchful male eye.

‘Did… did you undress me?’ she asked the Count, her eyes downcast from shame and her tones tremulous.

‘Is that a problem for you, my dear Mrs. Wintergreen?’ he asked her quizzically, quirking one eyebrow at her in an unmistakeable gesture of amusement. ‘Surely a man has seen you naked before?’

‘Only Edward, and even then, he has never seen me without my nightgown!’

‘Well then, perhaps it is about time you learned to be properly naked in front of a man. A real man.’

He grinned, casting away his final item of clothing to stand fully and unashamedly unclothed in front of her. Vanessa’s blue eyes widened at the sight of the tall, lean strong body covered in a fine layer of black hairs, with that thing of his standing up perpendicular to his body the way Edward’s must have done too, but Edward’s thing had never looked so long, so heavy, so veined, so big! Vanessa could not, for the very life of her, have wrenched her eyes from it. It was a veritable monstrous beast of a thing, and she both feared and craved it.

‘You are not a virgin, I understand,’ he said, as he climbed into the big comfortable bed beside her, ‘but of course such things cannot be helped in the case of married woman. You are familiar with the act of sexual intercourse?’

‘I… I think so,’ breathed Vanessa, feeling a tingling in her nipples and a moistening sensation in her lady-parts at the proximity of such a paragon of maleness. The nearness of Edward had never felt like this. This feeling was electrifying, it made her feel like all her nerve endings were tenderly, exquisitely, agonizingly alive, and she never wanted the feeling to stop!

‘You think so?’ Dracula laughed superciliously. ‘I see that the actions of the esteemed Mr. Edward Wintergreen in the boudoir have made a great impression upon you, my dear. Well, we shall have to see what we can do to erase your memories of his inadequate schoolboy fumblings from your mind forever.’ He laid her back down against the pillows and began to methodically undo the tiny delicate pearl buttons on her petticoat.

‘Where… where is my husband?’ Vanessa asked him. ‘What have you done to him?’

She barely managed to get the words out. She felt like the power of speech was slipping away from her gradually, along with the ability to remember her own name and Edward’s and the reasons why they were there, in Castle Dracula in the Carpathian Mountains in the wilds of Transylvania, instead of at home in jolly old England, taking tea on the terrace of their house in Windsor Grove. On the terrace when it was fine, in the parlour when it rained or was windy or cold. How far away all that silly politeness and pointless adherence to silly old customs and traditions seemed now.

‘Do you care?’ Dracula asked her brutally as he pulled the petticoat over her head and tossed it aside. His hands immediately covered her breasts, those pale, perfect orbs he had coveted since first observing them peeping out from beneath the fur stole she had worn with the bronze-coloured gown.

Vanessa shook her head and moaned with pleasure. ‘I don’t care,’ she whimpered.

‘What about now?’ he said, as the enormous pale stalk that had stood out from his body so erect and upstanding pushed forcefully past any lingering hint of a maidenhead and penetrated straight to the very core of her being.

She shook her head and whispered: ‘I don’t care.’

‘What about now?’ he said again. The fearsome fangs she had glimpsed earlier were in evidence again now as he bit down hard on the left side of her tender neck, immediately drawing blood.

‘I don’t care, I don’t care, I don’t care!’ she screamed, before falling into a dead faint with her bare arms flung out on either side of her in a grotesque parody of the Crucifixion.

Dracula, satisfied, began to feed.


Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

You can contact Sandra at:

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