annabelle comes home


I love all the other movies in The Conjuring universe and in the Annabelle franchise, but I wasn’t crazy about this one. It starts off promisingly enough, when the cutest couple in the acting world, Vera Farmiga and Patrick Wilson playing real-life demonologists Lorraine and Ed Warren, offer to take the evil doll Annabelle off the hands of the current owners, who are being plagued by the pesky thing.

They soon realise on the journey home with Annabelle that the doll is ‘a beacon for other spirits,’ and attracts them the way a sugar daddy with an open wallet will draw hos, skanks and gold-diggers, pardon my French. Like I said, a really promising start to this hotly-anticipated addition to the Annabelle canon, but things do go kind of downhill from there.

For the rest of the movie, the gorgeous, loved-up Warrens (they are sooooo cute!) are absent, away on some kind of a trip while their mopey pre-teen daughter Judy is ‘cared for,’ and I use the term loosely, by two truly dopey teenage girls, Mary Ellen and Daniela.

Mary Ellen is the soft-pink-sweater-wearing, blonde, fluffy dim cheerleader type, but not slutty with it; in fact, she’s positively coy and vapid around her would-be boyfriend, the ‘hilariously’ named ‘Bob’s-got-Balls.’

Daniela is the troublesome one, the precocious little brat who routinely sticks her nose into things that don’t concern her. She blames herself for her part in her father’s premature death in a car accident (guess who was driving?), and unwisely thinks that she can use the absent Warrens’ haunted artefacts’ room as a way of summoning her ‘darling dad’ back from the dead so she can apologise to him.

The rest of the movie is basically the three girls and Bob’s-got-Balls being chased around the house by artefacts from the haunted room, the keys to which the Warrens have left lying around carelessly, tsk tsk. And Daniela seems to have  brought the artefacts to life, which seems ridiculously easy to do. Just say, c’mon, I’ll be your friend if you come alive, stuff like that, and they say, why not, yeah, let’s do it. Stuff like that.

The ghosts include the murderous bride who likes to go stabby-stabby, the Japanese samurai dude in battle dress, the accordion-playing monkey, a sort of horned green goat man who slightly resembles Jim Carrey’s character in The Mask and, last but not least, some kind of a giant hell-hound who can be subdued, fear not, by an old beat-up guitar. Oh, and, of course, Annabelle the doll herself keeps popping up around the house in various positions and places. In the bed, under the couch, sitting in the rocking chair, etc. Meh.

The film is more of a Goosebumps/Jumanji/Scooby Doo-style kids’ adventure film than anything else. It that’s what you’re after, well, fair enough, but it was scary adult horror I was after myself, and I’m pretty sick of the way kids are taking over the horror genre. It’s the Warrens themselves I want to see, not their boring, dull-as-dishwater offspring who ‘sees’ priests who aren’t really there, and her ditzy bloody babysitters.

The most interesting thing about this movie is that someone on the film-making team has used it to showcase the superb music of Badfinger, a pop rock band from the late ‘Sixties (when they were known as the Iveys) and the early ‘Seventies, whom a lot of people figured were going to be the next Beatles.

In fact, as they’d been signed to the Beatles’ Apple record label and their Number One hit Come And Get It had been penned by Paul McCartney and given to them to use, they had a lot of quite close ties to the famous band and, when Badfinger toured America, a lot of people even thought they were the Beatles in disguise . . . !

The band consisted of Pete Ham (vocalist, guitar, piano) and Mike Gibbons (drums) from Wales and Tommy Evans (vocals, bass) and Joey Molland (vocals, guitar) from Liverpool. They had started to make it very, very big when the shit hit the fan.

Unscrupulous management saw the band benefit very little from all the work they’d done and, in 1975, lead singer Pete Ham took his own life, unable to live any longer with the stress of what mis-management had done to them.

It was an absolutely tragic waste of a life and a huge talent. Pete’s death devastated his friends and family. His girlfriend was pregnant at the time and would eventually give birth to a daughter who never knew her father.

Pete’s closest friend and band-mate Tommy Evans, both of whom co-wrote the best and biggest love song of all time, Without You, taken to the top of the charts at different times by Harry Nilsson and Mariah Carey, never recovered from the loss of his mate and writing buddy. He, too, took his own life, a few years later in 1983.

Joey Molland is the only member of the band alive today. As far as I know, he’s still writing and performing music and touring it. In the film Annabelle Comes Home, the Badfinger Hits Day After Day and Baby Blue are heard towards the start of the movie and there’s a copy of one of the band’s albums on the coffee table too; you can clearly see the band’s faces. All good-looking lads they were, too.

If there were any justice in the world, they’d be around today, still playing and performing their startlingly pure and honest blend of pop rock that was right on the verge of hitting it big when disaster struck. If this film leads to a new and excited audience for Badfinger, brilliant. But, as a horror movie, whether you view it as a stand-alone film or as part of the wider franchise, it’s kind of a disappointment. Sorry.


Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

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