JINGLE ALL THE WAY. (1996) DIRECTED BY BRIAN LEVANT. STARRING ARNOLD SCHWARZENEGGER, JAKE LLOYD, RITA WILSON, PHIL HARTMAN, ROBERT CONRAD, SINBAD AND JAMES BELUSHI. REVIEW BY SANDRA HARRIS. ©
Ho-ho-ho and Merry Christmas and a Happy New Year and all that festive jazz…! JINGLE ALL THE WAY is one of those seasonal staples that’s as much a part of Christmas as getting pissed on bubbly while you’re waiting for the turkey to cook, and shagging the one person at your work’s annual Christmas do who’s guaranteed to put the snap you drunkenly allowed them to take of your ass up on social media. That’s not just me, surely…? Lol.
Anyway, I’d classify JINGLE ALL THE WAY as a Christmas comedy on a par with THE GRINCH WHO STOLE CHRISTMAS, CHRISTMAS WITH THE KRANKS, NATIONAL LAMPOON’S CHRISTMAS VACATION, HOME ALONE and all those other favourite Crimbo films we all love to unearth at this time of year. Parents will identify with it (painfully so, I’d say!) and kids will laugh their heads off at it.
It stars the Austrian Oak, Arnold Schwarzenegger, and he’s in a much more perilous situation than any fix he’s ever had to face in his TERMINATOR or other action-packed movies. He’s a Dad at Christmas who has failed, repeat failed, to pick up the toy his son wants for Christmas in advance of the big day. Boo…! For shame, Howard Langston, for shame. That’s his name, lol.
He is a bad father. He should be tied to a chair and pelted with tofu balls while Cliff Richard’s MISTLETOE AND WINE plays on repeat on the sound-system. Too harsh, you say? No, I’m sorry but the penalty stands. It has to stand, if the world order isn’t to collapse under a weight of wrapping paper and festive ribbons and bows.
There’s no crime worse than failing to buy Little Timmy or Tammy Snotnose exactly what they want for Christmas. Money equates love, see? The bigger the gift, the more you love your kid. Simple. And buy two of everything. The little brats won’t wanna share. And for Chrissakes, remember the bloody batteries…!
Howard is horrified to discover on Christmas Eve that he has neglected to purchase the toy which his son Jamie has asked Santa for this Crimbo. The must-have toy-du-jour is Turbo Man. I love the way the people in the toy-stores all laugh maniacally at him when he asks for a Turbo Man. Any self-respecting parent worthy of the name knows that that particular toy has been sold out for months. Hah!
The scenes of chaos in the toy-stores in the film on this Christmas Eve are terrifying, but not at all unusual. A family member had the misfortune to work in a Dublin toy-store last Christmas and she still hasn’t forgotten the misery. The stampeding, the screaming and bawling, the abuse, the recriminations, and that was just the staff. Never mind the pushy parents or the marauding kids.
She sits in her chair at home every day now, not talking, just continually rocking back and forth, and when she closes her eyes she can still see the shells falling, smell the awful smell of burning flesh and put her hands into the pile of goo that used to be her best friend’s face… No, wait a minute. That was ‘Nam, wasn’t it? From what I hear, though, there’s not much difference between the two…
Anyway, Howard finds himself in some extraordinary situations as he races around town looking for a Turbo Man doll in time for the Christmas Parade later in the day. Followed everywhere he goes by a manic mailman looking for the same toy and a pissed-off copper who likes to give out parking tickets, he encounters a group of crooked Santas (crooked in the sense of corrupt, not askew!), chases a small girl through a crowded shopping mall, breaks into his neighbour’s house with theft in mind and pretty much terrorises the host of a radio show.
This is all in the name of finding the doll and proving to little Jamie and his wife Liz that he’s neither the screw-up they seem to think he is nor a neglectful, emotionally- and physically- absent parent.
What the kid and the wife don’t seem to realise is that the reason that Dad is away so much is because he’s working his butt off to keep the ungrateful pair in the style they’ve obviously long been accustomed to. And what a style! Their house is fabulous.
As this is an American film, they’ve really gone to town on making the film look as magically Christmassy as possible. I’ve always maintained that the Americans know how to keep Christmas well, as old Scrooge might say.
The houses and snow-covered gardens and streets are all decked out in full festive regalia, the shops look gorgeous and there are real carollers singing in the open air in proper Victorian garb. Charles Dickens, the writer credited with inventing the true traditional Victorian Christmas by putting it all down in his books for posterity, would be proud to see how wonderfully festive it all is.
Arnie is funny and handsome throughout, especially when he’s all togged out as Turbo Man for the parade. I love the way his wife says ‘Howard…!’ in surprise when she realises that she’s actually sexually attracted to her husband in the super-hero suit. Well, it’s a very snug-fitting suit, ahem. I wouldn’t be in any rush to take it back to the costume shop myself…
Phil Hartman, the voice of both Lionel Hutz and Troy McClure from THE SIMPSONS, does a real star turn here as the obnoxious Ted, Howard’s annoying, know-it-all next-door-neighbour who always has to go one better, much to Howard’s irritation.
It’s a lot like THE SIMPSONS, with Ted as Ned the pious and virtuous neighbour who gets his son’s TURBO MAN weeks in advance of Christmas and Howard as Homer who forgets it completely until- you guessed it- the last minute.
Homer, however, would have forgotten it because he was more interested in boozing at Moe’s Bar than in preparing for Christmas, something he’d perceive to be Marge’s territory. Howard only forgets because he’s genuinely snowed-under at work. Snowed-under, geddit? It’s funny ’cause it’s Christmas.
Anyway, the housewives all adore the newly-divorced Ted, and Ted has his sights set on Howard’s missus Liz, probably because he’s actually jealous as hell of the muscular Howard. I love Ted’s line to Howard which reveals all Ted’s own insecurities and petty envy: ‘You can’t bench-press your way out of this one…!’ See what I mean? Jealous, jealous, jealous.
The film is good clean fun, if a tad far-fetched and, at the end, the commercial message it’s been sending to viewers all throughout the film (to buy, buy, buy and then buy some more) gets turned completely on its head, which is nice.
Keep watching those end credits as well, because there’s a cute little twist right at the very end which impatient viewers, anxious to switch off and get the little horrors to bed, might miss. Aw, kids. Kids are great, aren’t they? You can’t live with them, you can’t donate them to charity. Well, that’s what the woman in Oxfam told me, anyway, and she’d know…
AUTHOR BIOGRAPHY OF SANDRA HARRIS.
Sandra Harris is a Dublin-based novelist, film blogger and movie reviewer. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens’ fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:
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