GEORGE AND MILDRED. (1976-1979) REVIEW BY SANDRA HARRIS.

GEORGE AND MILDRED. (1976-1979) A SITCOM CREATED BY JOHNNY MORTIMER AND BRIAN COOKE.

STARRING BRIAN MURPHY, YOOTHA JOYCE, NORMAN ESHLEY, SHEILA FEARN AND NICHOLAS BOND-OWEN.

I’ve absolutely loved this sitcom right from the first episode, though I’ve never seen MAN ABOUT THE HOUSE, the sitcom from which it derived. George and Mildred Roper are a total hit as a couple.

George is a ‘working class layabout’ who loves to sit around watching telly and smoking and only getting up to change the channel on the box when he can’t find the remote control…

Mildred is a social butterfly who wants nothing more than to move to a nice posh area and make a few nice posh friends with whom to share coffee mornings, book clubs and charity fund-raising drives.

Mildred has an adorable little wuff-wuff called Truffles. She’s (Mildred, that is, not the dog!) always togged out in her favourite skirt-and-blouse ensembles in the fluorescent colours she loves, with the make-up on and the wonderful but garish costume jewellery in place.

After a ‘bit of trouble’ with their old council house, the Ropers move to 46, Peacock Crescent in Hampton Wick, a posh area with ‘decent schools,’ where Mildred is so determined to social climb that you wouldn’t be at all surprised if she’d brought along her climbing boots, helmet and crampons to help her do the job.

George, not unsurprisingly, hates the house and the area, saying it’s a place for upper class, toffee-nosed twits and Conservative tossers. And he’s not entirely wrong, either. Next-door-neighbour, Geoffrey Fourmile, is a snobby real estate agent who thinks the Ropers are povvos lowering the tone of the neighbourhood.

His biggest dread is having George Roper’s working-class ideas inculcated into the brain of his own cute blond son, Tristram, who, at aged six or eight or whatever it is, is as absorbent as a sponge.

Geoffrey tolerates his wife Anne’s friendship with the brash and good-taste-less Mildred, but he has a special place of loathing in his heart for the perpetually unemployed George. The one time George gets a job, it’s as a traffic warden and he has the nerve to give Geoffrey a ticket!

Anne Fourmile is a rare gem, even in the days when women traditionally stayed home to look after husbands and children. She cooks, cleans and sews like nothing you’ve ever seen before.

She’s ash-blonde, sweet and pretty in a soft, feminine way (a sort of really soft, pink cashmere sweater kind of way), but she can be feisty and funny too, and she’s definitely sexy, with the Fourmiles still enjoying a healthy sex life even after several years of marriage. A second son-with-a-silly-posh-twit’s-name, Tarquin, is born about halfway through the show’s duration.

Geoffrey is traditionally tall, dark and handsome, but he’s no friend to the unemployed, whom he’d see as scroungers and layabouts who should all be made to pave the roads or something to get them off the dole.

His spats with George are hilarious, but stuffed shirt, stiff-upper-lipped Geoffrey isn’t entirely without feeling, as when he replaces George’s old dad’s dead ferret (dead because he, Geoffrey, backed the car over it!) with a live one to say sorry.

George and Mildred don’t seem to have had sex for years. Mildred makes the most cutting remarks about George’s impotency or lack of libido, whichever it is. George seems absolutely petrified at the thought of having sex with his own wife, and all Mildred’s attempts at penetrating the fortress that is George’s side of the bed usually end in failure. Not surprisingly, Mildred buys her Yorkshire Terrier, Truffles, to counter-act the loneliness of having no offspring of her own to love.

Mildred’s old mum is played by EASTENDERS actress Gretchen Franklin, who for years portrayed Ethel Skinner, Dot Cotton’s best pal, in the long-running soap. I can’t believe she was old even in the ‘Seventies!

In GEORGE AND MILDRED, her finest hour is probably when she hosts the Christmas knees-up to end all knees-ups while George and her daughter sit alone and friendless in their house. The joke being, of course, that even an octogenarian has more pals than George and Mildred…

Poor childless Mildred, for all her bling and brashness, has a sad life, really. Her husband never compliments her or even really ever notices her. He never even tries to touch her, never mind throwing her down on a bed and making her feel like a real woman with the strength and depth of his passion.

Her only friend is Anne Fourmile, who’s got her own family to worry about at the end of the day. Her mother can never remember which daughter Mildred is, and Mildred’s sister Ethel (more below) just uses her as someone to show off to and flaunt her wealth in front of. Poor Mildred.

Avril Elgar and Reginald Marsh play Ethel and Humphrey Pumphrey (love it!), Mildred’s sister and brother-in-law. Ethel married rich, and shows off her wealth and good fortune to poor Mildred in a way that would put Hyacinth Bucket (that’s Boo-kay, if you please, not Bucket!) of KEEPING UP APPEARANCES to shame. Mind you, we know that Humphrey is a bit of a womanising, sleeping-with-his-secretary type, so all is not completely perfect chez Humphrey.

My favourite recurring character is Roy Kinnear’s Jerry, the ‘cowboy’ builder, who’s so crooked he even freely admits it himself. He’s like O’Reilly in FAWLTY TOWERS, the cowboy builder Basil employs to work on the hotel because he’s cheap and cuts corners. But when George engages his mate Jerry to build ‘Mildew’s’ (that’s what Jerry calls her) dream shower, it’s not the Ropers but the Fourmiles who, erm, get the benefit…

Fun fact: George’s 1933 motorcycle-with-sidecar combination is now on permanent display at the London Motorcycle Museum. It also appeared in the BBC military sitcom, DAD’S ARMY.

Sad fact: Poor dear Yootha Joyce died prematurely of portal cirrhosis of the liver in 1980, thereby preventing further episodes of the show from being made. This just makes the ones we have all the more precious. It’s a terrific show. Watch it if you can.   

CARRY ON ENGLAND. (1976) REVIEW BY SANDRA HARRIS. ©

CARRY ON ENGLAND. (1976) DIRECTED BY GERALD THOMAS.
STARRING KENNETH CONNOR, WINDSOR DAVIES, PATRICK MOWER, JUDY GEESON, JOAN SIMS, PETER BUTTERWORTH, JACK DOUGLAS, MELVYN HAYES AND DIANE LANGTON.
REVIEW BY SANDRA HARRIS. ©

‘Sergeant Major, some of those men are wearing skirts!’

‘They is not men, sir. They is… women…!’

This is the 28th film in the original 30 CARRY ON films, and there are people who say it’s not very good and even a bit silly to boot. Okay, so it’s by no means perfect and it’s missing some of our favourite CARRY ON stars, like Sid James, Hattie Jacques, Charles Hawtrey, Kenneth Williams, Bernard Bresslaw, Barbara Windsor and Jim Dale, but it’s still worth a watch as part of the canon, even if you only watch it once.

The action takes places in an army barracks in the English countryside during the part of World War Two when Hitler was bombing the bejeesus out of poor old Blighty. It’s kind of an experimental barracks which accommodates both male and female soldiers, and that’s the main reason the regiment stationed there is an absolute shambles.

The recruits there are lazy, slipshod, slapdash, haphazard and hopeless. They report sick whenever there’s work to be done. They like a nice lie-in of a morning, and they clearly hope to just sit out the rest of the war in their nice cosy little country barracks without having to lift a finger or squeeze so much as a single trigger. That shouldn’t be too hard, as they appear to be a barracks without any weaponry or ammunition whatsoever…

Of course, the main source of distraction for every soldier in the platoon is the close proximity of the opposite sex. The males and females are all over each other like a bad case of poison ivy.

There’s nookie going on morning, noon and night, in the barracks, on parade and in the air raid shelter known as ‘the snoggery.’ The name says it all. The sex-obsessed soldiers just can’t stop fondling their privates. And their corporals, and their sergeants, and their bombardiers…

Then, Captain S. Melly (yeah, yeah, we get it, lol), played by a diminutive and moustached Kenneth Connor, is appointed to this barracks as the new head honcho. He seems completely thrown by the presence of women in the barracks.

It’s obvious he’s never had to handle a platoon of feisty females before, females with, erm, protruding front things and knickers and, ah, what do they keep under their knickers again, Sergeant Major…?! You get the point...

With the help of Sergeant Major ‘Tiger’ Bloomer, played by the wonderful Windsor Davies in pretty much the exact same role he was playing at the time in long-running British-Army-in-India sitcom IT AIN’T HALF HOT, MUM, Captain Smelly sets about trying to be the new broom that sweeps clean. It’s not an easy job…

Poor Captain Smelly. He’s thwarted at every turn by the idle, shiftless soldiers, who would make great army personnel if they put even half the same effort into their work as they do into their schemes to avoid work.

Even Sgt. Major Bloomer, a true army hard-ass, doesn’t like to push his men- and women!- into working too hard, as it just makes them cranky and harder to deal with…! Call this an army, lol.

Led by Patrick Mower (THE DEVIL RIDES OUT, Rodney from EMMERDALE) as Sergeant Len Able, the recruits are much more interested in working out how to get into each other’s quarters at night, after Captain Smelly bans the sexes from ‘mingling,’ than they are in fighting Hitler.

There’s a Sergeant Tilly Willing and a Bombardier Ready as well, by the way, in addition to a Private Alice Easy, a sort of bargain basement Barbara Windsor-type character…!

The shit hits the fan- most of it ends up on Captain Smelly, sadly- when a visiting Brigadier and Major find the barracks sorely lacking in order and fighting spirit. Suddenly, an air attack from Goering’s Luftwaffe threatens the very existence of the barracks.

Will Smelly’s men- and women- step up to the plate and fight bravely for Merrie Olde Englande, for King and Country? Will old Smelly be proud of his privates at long last…? Will he want to toast his privates in the mess with a magnum of champers? Will he be overcome with an urge to pat his privates lovingly on their person and tell them he’s inordinately proud of them? (I should probably stop this now…!) It remains to be seen, people.

I love that Melvyn Hayes from IT AIN’T HALF HOT, MUM plays a similar role here as Gunner ‘short-arse’ Shorthouse. A curvaceous Joan Sims has the hots for Sgt. Major Bloomer, who’s not quite sure he’s man enough for her, and Johnny Briggs, aka Mike Baldwin from long-running soap, CORONATION STREET, turns up in the beginning of the film to drive Captain Smelly to his new camp.

My son, incidentally, loves Jack Douglas, whom he calls ‘the Tourettes Man’ because of his hilarious twitching and random-word-saying. I love the scene where Joan Sims’s Jennifer Ffoukes-Sharpe makes short work of Peter Butterworth’s Major Carstairs with a few slick manoeuvres, and the one in which Captain Smelly accidentally morphs into Adolf Hitler. Deutschland uber alles, eh what…?

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:

The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books: