OUTBREAK. (1995) REVIEW BY SANDRA HARRIS.

OUTBREAK. (1995) DIRECTED BY WOLFGANG PETERS. BASED ON RICHARD PRESTON’S 1994 NON-FICTION BOOK, ‘THE HOT ZONE.’

STARRING DUSTIN HOFFMAN, RENE RUSSO, MORGAN FREEMAN, DONALD SUTHERLAND, PATRICK DEMPSEY, KEVIN SPACEY, CUBA GOODING JR.

BY SANDRA HARRIS. ©

God, I love a good plague or virus movie. CONTAGION (2011), the masterpiece that kills off the annoying Gwyneth Paltrow within the first ten minutes, is probably my favourite, although RIGHT AT YOUR DOOR (2006) is excellent too. That one’s about dirty bombs and chemical warfare, but it’s all the same thing, innit?

OUTBREAK, one of the most streamed films on Netflix during the first month of the COVID-19 pandemic (I find that hilarious), probably isn’t the most technically or scientifically accurate movie about a pandemic.

Like, how come every infected person but Rene Russo dies a horrible, disgusting death that includes bleeding from the eyes like a statue of the Virgin Mary in a haunted grotto? An obvious flaw, but it’s still a great romp and references that great American institution, the CDC, or the Centres for Disease Control. You know you’re in for a good watch when they have to call in the CDC! I think they brought ‘em in to the Stephen King six-hour mini-series THE STAND (1994) as well. A great bunch of lads, the Chinese. Erm, I mean the CDC.

The diminutive method-acting Dustin Hoffman plays army medic Colonel Sam Daniels, MD. All the main men in this film play different ranks of army personnel, and, unless you know which rank supersedes which other rank, you’re apt to become a tad confused. Here’s a simple trick to following Who’s Who: Sam ranks higher than Kevin Spacey and Cuba Gooding Jr., his old muckers and colleagues, but lower than Morgan Freeman and Donald Sutherland, the top brass. Got it…?

Sam’s ex-wife, Roberta ‘Robby’ Keough, MD, is an army medic too. They are going through a messy divorce when it’s obvious they still love each other and their two beautiful dogs. They should put the nonsense aside and have an honest conversation for once instead of all the sniping and snapping.

Anyway, the virus, right? It’s brought into America- Cedar Creek in California, to be exact- by an adorable disease monkey similar to the ones that people initially thought were responsible for the spread of AIDS.

A big dope called Jimbo steals the little critter from the animal testing laboratory where he works after it’s been smuggled into the country. He hopes to sell it to a pet shop on the black market, no questions asked, but before you can say, ‘we’d better put a call in to the CDC,’ Jimbo and the pet-shop owner are dead of the virus and the monkey is running amok in the woods after being released by a misguided Jimbo.

Dozens of Californians (not the Californians, they’re the beautiful people!) immediately catch the virus and die horribly. Sam wants to find a cure, for which he’ll need to find the monkey, but Donald Sutherland just wants to nuke the town of Cedar Creek in Operation Clean Sweep, something he did thirty years ago when the same virus showed up in a village in darkest Africa. He clearly just really loves to nuke stuff, and gets really annoyed when Sam keeps trying to stop him.

Dustin Hoffman is quite funny and endearing as Sam, the sort of loose cannon, maverick medic. He strides around the place standing up to his superiors (especially Morgan Freeman, who might know more about this virus than he’s letting on) and saying things like, ‘With all due respect, Brigadier, fuck you,’ when he’s about to contravene a direct order, which is most of the time.

The scene where Dustin Hoffman helicopters onto the exact right boat that brought the plague monkey into ‘Murica before helicoptering back off again is a little far-fetched. Sam’s speech to the soldiers who are tasked with dropping the bomb on poor old Cedar Creek is hokey in the extreme, mawkishly sentimental, but that’s the kind of fun, over-the-top disaster movie this is, lol.

I love the spooky scene where the nice, normal ordinary Cedar Creek mom has to leave her husband and kids and go somewhere unknown in order to be ‘isolated’ by the Army, who are of course working for the government. THE CDC, the CIA, the FBI, they all terrify me, even though I said earlier that the CDC were a great bunch of lads.

It’s just the thought of all the secrets they must have kept over the years, all the things they must have decided at the highest level that it wasn’t in the ‘public’s best interests’ to know.

And, if you’ve seen RIGHT AT YOUR DOOR, you too might have a fear of the Army turning up at your house one day in the middle of a terrifying public health crisis, but not to help you by bringing you bags of oranges and stores of penicillin…

It’s interesting to watch stuff like this in the context of our own recent pandemic. CONTAGION probably mirrors our COVID experiences the closest, with masks and self-isolation and vaccines and people who say the vaccines are a load of bollocks and all part of a wider government conspiracy and whatnot, but OUTBREAK is great craic too, and it vanishes from Netflix at the end of November, so chop chop! Catch it while you can, but not the virus. Definitely don’t catch that…

THE TOWERING INFERNO. (1974) A FANTASTIC DISASTER MOVIE REVIEWED BY SANDRA HARRIS. ©

THE TOWERING INFERNO. (1974) DIRECTED BY JOHN GUILLERMIN. ADAPTED BY STIRLING SILLIPHANT FROM THE NOVELS ‘THE TOWER’ BY RICHARD MARTIN STERN AND ‘THE GLASS INFERNO’ BY THOMAS N. SCORTIA AND FRANK M. ROBINSON.

STARRING AN ENSEMBLE CAST LED BY PAUL NEWMAN AND STEVE MCQUEEN.

REVIEW BY SANDRA HARRIS. ©

This blockbuster disaster film contains more Hollywood stars than you can shake a stick at, and is perfect Christmas viewing, because when else do you get to watch a film with a running time of one hundred and sixty-five minutes? Exactly, lol.

In a nutshell, it’s the story of a magnificent new San Francisco skyscraper, known as the Glass Tower and comprising one hundred and thirty-eight storeys, making it the tallest building in the world until something even taller comes along.

The film takes place on the night of the Tower’s inaugural party, which will see bigwigs and celebs from all over the place rocking up to be seen swanning up the red carpet and quaffing case after case of champagne in honour of the world’s tallest new building, which offers both office and apartment space, if you please.

On the evening of the party, however, an electrical fire caused by faulty wiring (caused in turn by that peculiar phenomenon known as cutting corners) starts on the 81st floor of the Tower. By the time the fire has been detected, the inaugural party is in full swing up in the Promenade Room on… guess where?… the 135th floor. The race is on to get the party guests out of the building before they’re sizzled to a delicious bacon-y crisp and the Tower becomes the world’s tallest lighted matchstick…

An uber-manly Steve McQueen plays Michael O’Hallorhan, the San Francisco Fire Chief, who has a lot of scathing things to say about big-shot industrialists who build skyscraping monstrosities such as the Glass Tower, without making sure that they are safe and as fire-proof as possible.

Tasty hunk of beefcake and alpha male Paul Newman stars here as Doug Roberts, the ethical architect who designed the building in good faith and didn’t expect the man who built and owns the building, William Holden as the unscrupulous James Duncan, to cut corners in things like electrical wiring and peoples’ safety.

Blond blue-eyed Doug is trying to talk Faye Dunaway’s gorgeous Susan Franklin into running off with him to the back of beyond, but she’s just been offered an editorial position with the magazine she’s been writing for for years, and so she’s dragging her designer heels. Maybe a night spent in fear for their lives will help the sexy pair to put things into perspective …

Richard Chamberlain plays the weak and cowardly Roger Simmons. He’s James Duncan’s son-in-law and the electrical engineer who cut all the corners at a sly nod from his Pops-in-law.

Duncan, of course, was trying to do what builders everywhere have been doing since the dawn of the construction industry: that is, shave a few bucks off the end cost of building the thing. Now, however, the fire is going to cost the Duncan family a hell of a lot more than just a few bucks…

Roger’s married to Duncan’s beautiful daughter Patty, but their marriage is going to hell in a handbasket, because that’s what happens when you’re a woman whose bloke only married you for Daddy’s money and not because he loves you.

While Steve McQueen and Paul Newman are busting their collective humps to save people from the burning building, the selfish and craven Roger Simmons seeks only to save his own skin. He doesn’t even care what happens to his wife, which is how we know the marriage is kaput. Will he make it? Will karma allowed the self-serving S.O.B. to walk free from his sins? Will she hell…

Fred Astaire and Jennifer Jones co-star as a loved-up elderly couple destined for heartbreak, Robert Vaughn plays a U.S. Senator and O.J. Simpson (yes, that one!) portrays Harry Jernigan, the building’s Chief Security Officer who saves a cat from Frying Tonight, and that makes him all right in my book.

My favourite story, but perhaps the saddest story of all, sees a suave and handsome Robert Wagner as PR man Dan Bigelow make love to his secretary near the top of the building, far above the fire floor. Everything is going beautifully, not to mention sexily, until the secretary utters the immortal words, Darling, do you smell smoke…?

Such a great star-studded movie. Watch it with THE POSEIDON ADVENTURE for the ultimate disaster movie double bill, and then thank your lucky stars that, thanks to good old COVID, you won’t be booking any cruises or attending any parties in a San Francisco skyscraper any time soon…

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page: http://www.amazon.com/-/e/B015GDE5RO

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books.

JAMES CAMERON’S ‘TITANIC.’ (1997) REVIEW BY SANDRA HARRIS. ©

titanic poster

JAMES CAMERON’S ‘TITANIC.’ (1997) WRITTEN, PRODUCED AND DIRECTED BY JAMES CAMERON. STARRING KATE WINSLET, LEONARDO DICAPRIO, FRANCES FISHER, BILLY ZANE, BERNARD HILL, KATHY BATES, GLORIA STUART, BILL PAXTON, SUZY AMIS AND DAVID WARNER. CHEESY THEME TUNE PERFORMED BY CELINE DION. MUSIC BY JAMES HORNER.

REVIEW BY SANDRA HARRIS. ©

‘If celebrities didn’t want people pawing through their garbage and saying they’re gay, then they shouldn’t have tried to express themselves creatively. Well, at least I’ll always have my crank calls. Old Lady From Titanic, you stink…!’

Homer Simpson of THE SIMPSONS in the episode about the celebrities, starring Kim Basinger, Alec Baldwin and Ron Howard.

I always regret that I didn’t go to see this ‘Nineties blockbuster in the cinema when it was first released, as it must have been spectacular to witness on the big screen. At the time, however, I was fantastically and disastrously embroiled in an affair with a married man that was the blight of my youth and I had, therefore, other things on my mind. Such as his lies. Oh, his terrible, terrible lies!

I love you. He loved me not, gentle readers. I’ll love you till I die. I wish I could set Alanis Morrisette on him, just for that one alone. She feels very strongly about that kind of lie in particular.

My wife and I haven’t slept together for years. What was the new baby called again? I’ll leave my wife for you when the kids are in college. They were toddlers. I’ll never leave you. He left me three fucking times before he left me for good.

Each time hurt worse than the last and made me actually contemplate thinking about considering ending it all, if you get me. Luckily I decided not to bother with all that high drama or I’d never have met you guys.

And so on and so forth, anyway. You don’t need to know how low I sunk. Suffice it to say that it ended. Now let us focus no more on the follies of my youth and concentrate on the big-budget cheese-fest that is TITANIC, the biggest film of the ‘Nineties or maybe even any other decade for that matter.

It’s common practice, of course, to slag it off but I love it and I always have. It’s got gorgeous dresses and fabulous hats, a stunning Kate Winslet, an actress whom I’ve liked in everything I’ve ever seen her in, a broodingly handsome Billy Zane and a plot based on historical fact. The sinking of the TITANIC bit, that is, not the Rose and Jack bit.

The only things I dislike about the film are that song by Celine Dion and the choice of Leonardo DiCaprio as Kate Winslet’s love interest. I’ve never liked the rather baby-faced youth and I did not like him in this. The very thought of being in a position where I would actually choose a life of poverty with this… this child over a life of comfort and luxury as the wife of the rich and gorgeous Billy Zane brings me out in hives, I kid you not.

And I’d much rather settle down to watch TITANIC on December the twenty-sixth than actually going out to brave the shops again like some crazy people do, this time to attempt to exchange the rubbish presents foisted on them by distant relatives and friends for slightly better stuff.

It’s true I neither want nor need a dozen gift-sets of the same foot-care cosmetics I didn’t want last year but what the hey. I’ll simply re-gift ’em next year and on Saint Stephen’s Day, otherwise known as Boxing Day, I’ll stay in with TITANIC and a plate piled high with leftover-turkey sambos and mince pies and wallow in the delicious tragedy of it all.

Rose DeWitt Bukater, played by English Rose Kate Winslet, is a young woman betrothed to Billy Zane’s super-rich heir to a steel fortune, Caledon Hockley. They are travelling to America with Rose’s uptight Ma and, when the TITANIC reaches its destination, Rose and Cal are to be married.

Ma DeWitt Bukater will be relieved a thousand times over when this happens. Her husband is dead and the family money, as she tells her daughter in no uncertain terms, is all gone. The film does a great, if grim, job of highlighting how precarious a woman’s position was in those days if she didn’t have a rich man to protect her.

Ma and Rose will be set for life if Rose marries Cal but Rose, desperate to escape the confines of the life that her Mother and Cal have laid down so rigidly for her, has been making goo-goo eyes at Leonardo DiCaprio’s Jack Dawson, an impoverished, rootless artist who won his ticket for the Ship Of Dreams in a lucky hand of poker.

Jack, who meets Rose when he saves her from committing suicide by jumping over the side of the ship, is teaching Rose all manner of unsuitable things. How to spit like a man, how to go to a ‘real party,’ how to pose in the nip for a randy artist and how to have sweaty, cherry-popping sex in the back of parked automobiles. Tsk, tsk.

Cal and Mrs. DeWitt Bukater are fit to be tied, they’re so enraged at all of this. And then, on that fateful night in April 1912, the ‘unsinkable’ TITANIC hits the iceberg in the freezing cold North Atlantic Ocean and sails right into the history books as one of the biggest disasters in maritime history…

The film portrays the sinking magnificently, in my humble opinion. We see first the disbelief of the passengers, who’ve been assured that ‘God himself could not sink this ship.’ We see the band playing ‘music to drown by’ and the first-class passengers dressing in their finest clothes as they prepare, chillingly, ‘to go down like gentlemen.’ They still don’t really believe that they’ll be required to, though.

Then there’s the absolute chaos as the ship starts to go under and the passengers scramble madly for the wholly insufficient number of life-boats. Then there’s the terrifying splitting in half of the gigantic ship and the deaths by drowning and deaths caused by the knife-sharp cold.

There’s the much-parodied scene as Rose lies comfortably on a nice big door in the ocean while Jack, ever the good little steerage passenger, freezes his balls off in the bitterly cold water. ‘There was room on that raft for the two of youse!’ goes a certain Irish commercial for, I think, Maltesers or something. Well said, that man, whoever he was.

The story is book-ended at both ends with the modern-day story of the late Bill Paxton’s really cute treasure-hunter trying to find a fabulous necklace called The Heart Of The Ocean on the wreck of the sunken ship. The now one-hundred-and-one-year-old Rose is ‘helping’ him although, as the viewers see, ‘a woman’s heart is a deep ocean of secrets’ and she’s pulling the wool over his eyes a little bit, the ancient hussy.

There are so many iconic scenes to remember fondly when the ship sinks. Here are some of mine. The millions of plates falling off their shelves and into the water. The old man and woman huddled tightly together on their bed, determined to die together. The shell-shocked Captain when the water explodes in on him.

The girl floating dead in the water with her dress billowing out around her, filmed from below. Very artistic, is that. It could even be a painting. The ship’s officer shooting himself after he realises he’s killed someone while trying to keep order amidst the chaos.

The rich guy in his dinner jacket sitting there in shock as the water dares to breach the upper echelons of first class. Dreadfully vulgar, the mighty ocean, dontcha know. Must be from the Chippewa Falls ocean, that would explain its appalling lack of good taste…!

Ioan Gruffudd shouting ‘Is there anyone alive out there?’ as he trawls the icy waters for survivors with his little whistle. Rose in the rain on the Carpathia the day after the sinking realising that she has The Heart Of The Ocean in her pocket. After she’s had, like, the entire fucking ocean underneath her when she was on that floating bit of coffin, lol.

I simply adore Rose’s gorgeous red ‘committing suicide’ dress and dinky little shoes. I also love all the scenes that show the lower decks of the ship filling with water first. Those are all top-notch depictions and I honestly don’t see how anyone could have done them better.

I love this film and I watch it every Christmas without fail. I won’t hear a word said against it, not unless you’re bitching about the awful song, lol. Happy New Year now, y’all. Have a good one. And remember to keep a sharp eye out for Celine Dion, as far as I know she’s still alive and could still be singing…!

AUTHOR BIOGRAPHY OF SANDRA HARRIS.
Sandra Harris is a Dublin-based novelist, film blogger and movie reviewer. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens’ fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

sandrasandraharris@gmail.com

https://twitter.com/SandraAuthor