SHOAH. (1985) REVIEW BY SANDRA HARRIS. Â©

SHOAH. (1985) DIRECTED AND PRODUCED BY CLAUDE LANZMANN.

REVIEW BY SANDRA HARRIS. ©

The word ‘Shoah’ means ‘Holocaust.’ SHOAH is French film drector Claude Lanzmann’s masterpiece. I’m sure he did other things in his life besides making SHOAH, but, even if he didn’t, it wouldn’t matter a jot, because SHOAH is so utterly magnificent.

It’s a film in the form of a series of four documentaries, each about two to two-and-a-half hours in length, each containing multi-lingual footage of Jewish Holocaust survivors, Polish witnesses and bystanders and even German perpetrators, by now scattered all over the globe, and the intense, in-depth, wonderfully telling conversations he held with them.

The film took a long time to make (perfection takes time), and was a labour of love by a man who clearly felt a terrible sadness and anger for the hellish injustices the Jews of Europe were forced to endure from 1933-1945.

It’s such a long piece of work that one review could never do it full justice. I’m nervous about attempting it at all, in fact. What I’ve decided to do is to take you through a few paragraphs regarding the speakers who affected me the most, starting with Simon Srebnik, a man with a beautiful singing voice who was made to sing for the SS during his time in the concentration camp known as Chelmno.

The villagers of Chelmno gather round him now, fascinated, saying that they clearly remember his sublime singing. It remains unsaid that they never attempted to rescue him from the clutches of the Nazis, even though he was just a child at the time and should have stirred any parental instincts lodging in the bosoms of the people of the town.

In Treblinka, another concentration camp town (this camp was one of the most feared), villagers would make the throat-slitting sign at the Jews as they chugged by in the cattle trains. We only wanted to warn them, we weren’t jeering at them, they maintain now, but it’s hard to believe.

Claude Lanzmann was brave enough to flip the coin over and speak to some of the perpetrators. Former SS man assigned to Treblinka, Franz Suchomel, ancient and infirm at the time of filming, chats away happily about his time in the camp, informing us knowledgeably that the naked young women forced to ‘queue’ for the gas chamber often voided their bowels in terror while they waited. Because that happens, you know, he adds anecdotally. Oh, we don’t doubt it for a second, Herr Suchomel.

Joseph Oberhauser, a former SS man stationed at Belzec, and now a successful bar owner, refuses to engage with Lanzmann at all with regard to his Nazi past. ‘I have my reasons,’ he confides in a whisper across the counter of his very own bar. Don’t worry your head about it, Herr Oberhauser. We can imagine.

Martha Michelsohn, the wife of a Nazi school-teacher in Chelmno and a very cold fish indeed, recalls how seeing and hearing the Jews’ agony as they were rounded up every day and taken to Chelmno ‘got on her nerves’ after a while. Well, that’s enough to get on anyone’s nerves. We do, of course, sympathise, Frau Michelsohn.

The Polish people of Grabow are filmed saying they knew that the town’s Jews would be killed at Chelmno. Some of them live now in houses forcibly vacated by the Jews, and yet they struggle to remember the names of the folks whose houses they’ve taken. And nowhere do they mention any steps taken by the townspeople to try to prevent their Jewish neighbours from being hauled off to the camps.

Some of the women of Grabow go a step further and say that the Jewish women of their town were lazy and vain and didn’t bother to work in case it ruined their beauty. They were even glad that the ‘Jewesses’ were taken away by the Nazis to the concentration camps, because they’d been competing with the local women for the affections of the Polish men…

In an extremely emotive interview, the Jewish barber Abraham Bomba cuts the hair of a client in his salon while recalling how he was forced to cut the hair of the Jewish women in Treblinka. They cowered in the barber’s chair, naked and terrified, on the very last leg of their journey to the gas chamber, while Abraham tried to relax them and make them feel like they were just getting a nice new haircut before moving into the camp properly.

Rudolf Vrba, handsome, well-dressed, confident, obviously doing well for himself, tells Claude Lanzmann how he and a friend escaped from Auschwitz in April of 1944, after spending the war trying to organise some kind of Resistance effort.

Historian Raul Hilberg, a very learned and likeable man, reads from the diary of Adam Czerniakow, a tragic figure. Once the President of the ‘Jewish Council’ in the Warsaw Ghetto, he committed suicide when he realised that the thousands of Jews the Nazis were forcing him to round up for ‘deportation and resettlement in the East’ were, in fact, being put on a train to the nearest concentration camp and extermination.

The diary, a remarkable document, gives us a clear picture of life in the ghetto. Starvation, typhus, overcrowding, unsanitary conditions, corpses piling up in the street and the constant terror of the Nazi ’round-ups,’ in which pretty much anyone, regardless of age, sex, class or status, could be told to present themselves at the train station first thing in the morning for the infamous ‘deportation and resettlement in the East,’ after which they were rarely, if ever, seen again.

I did not at all like or trust Franz Grassler, a Nazi administrator mentioned in the diary, whose job it was to liaise with the Jewish ghetto officials. He plays down his ‘junior’ role in the Nazi machine, telling Lanzmann that he (the director) is ‘hugely over-estimating’ Grassler’s power or importance in the administration.

Grassler hardly ever visited the ghetto anyway, he claims, because he was afraid of catching the typhus that was rife there, and he didn’t know that the Jews were being systematically murdered either, honest he didn’t.

There’s a beautiful shot of Adam Czerniakow’s headstone in the snow. Some of the images, even of former concentration camps, crematoria and cemeteries, are breath-takingly gorgeous to look at, even though we know full well the evil that was done there.

The stone buildings of Auschwitz in the rain, a graveyard carpeted with a blanket of snow, the burning evening sun exploding in a ball of light over a train station that once conveyed the Jews to their death in the gas chambers. The images are as good as, if not better than, what you’ll see in some art galleries. The cinematography is astoundingly brilliant in every single shot.

Claude Lanzmann is an extraordinarily clever interviewer. He gives all the ‘baddies,’ as we may be forgiven for calling them, all the rope they need to hang themselves. ‘So, you really can’t remember the names of the Jews whose house you’re living in, hahaha, isn’t that hilarious?’

Lulled into a false sense of security, the villagers laugh merrily along with him, while admitting without a trace of shame or guilt that, no, they can’t remember the names at all, or, was it, wait now, were they, by any chance, the So-and-So’s…?

They don’t seem to have a clue how bad they come out looking in all of this. For evil to succeed, all it takes is for good men to stand by and do nothing. Well, they didn’t do nothing, exactly. I mean, they watched, didn’t they? That’s doing something. Isn’t it…?

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page: http://www.amazon.com/-/e/B015GDE5RO

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books.

HOLOCAUST. (1978) THE TV MINI-SERIES REVIEWED BY SANDRA HARRIS. Â©

holocaust meryl streep

HOLOCAUST. (1978) CREATED AND WRITTEN BY GERALD GREEN. DIRECTED BY MARVIN J. CHOMSKY.

STARRING MERYL STREEP, JAMES WOODS, MICHAEL MORIARTY, FRITZ WEAVER, ROSEMARY HARRIS, JOSEPH BOTTOMS, MARIUS GORING, TOM BELL, IAN HOLM, CYRIL SHAPS, ANTHONY HAYGARTH, SAM WANAMAKER AND DAVID WARNER.

REVIEW BY SANDRA HARRIS. ©

This magnificent television dramatisation of some of history’s darkest and most shameful events clocks in at a whopping four hundred and forty six minutes, or five easily digestible ninety minute blocks.

It’s the story of two fictional families in wartime Germany, the Weiss family and the Dorf family, and how they were both affected by Hitler’s coming to power in Germany, his anti-Jewish laws and his World War that laid waste to most of Europe.

The Weiss family are Jewish, and the Dorfs are not, and therein lies the reason why the lives of two such ordinary German families could have run along such divergent lines in the exact same time period, intersecting nonetheless in places during times of the most dreadful stress and terror.

Let’s get right down to business. Joseph and Berta Weiss are a typical German couple for the time, wealthy, cultured, civilised and decent people who love their children, Karl, Anna and Rudi, and want only the best for them.

When we meet them first, the Weisses are celebrating the mixed marriage (already frowned upon by the Nazis unofficially; soon to be outlawed in Germany by law) of their eldest son Karl, an artist (James Woods) to Inga Helms (Meryl Streep), a beautiful German Christian woman.

Every time Hitler and his Nazis, whom the Weisses are too genteel to call thugs and barbarians outright, lay down another anti-Jewish law, Joseph and Berta tell themselves that it won’t go on for much longer, that, after all, they’re Germans too, aren’t they, and Hitler couldn’t really mean them to be banished from their own country like lepers, could he…?

Berta’s Jewish Pops, a delightful old ex-soldier who proudly displays the Iron Cross he won for fighting for his country (Germany) in World War One, thinks that Germany isn’t stupid enough and cruel enough to treat her loyal German war veterans, regardless of their religion, like vermin. He finds out differently on the black, black night that history refers to as ‘Kristallnacht,’ or ‘The Night Of Broken Glass…’

Berta and Joseph leave it too late to flee Germany. This is partly down to Berta, a classical pianist and a gentle, peace-loving kind-hearted woman, who keeps stubbornly reiterating that she’s German, they’re all Germans, and this is their country too. Why should they up sticks and leave Germany to those jack-booted, black-suited thugs, the Nazis?

By the time her beloved husband, a doctor who’d go to any lengths to help someone in need, is deported to Poland to what eventually becomes the Warsaw Ghetto, Berta realises her mistake. They should all have read the signs and fled Germany when they had the chance…

Her son Karl has been arrested purely on the grounds of being Jewish and sent to Buchenwald, a concentration camp. Her daughter Anna has already suffered a terrible fate at the hands of the Nazis, and even Berta, her mother, doesn’t know just how terrible it is. Berta’s youngest son Rudi has run off to join the partisans, although his mother hasn’t a clue where he is or what he’s doing. She mightn’t ever even see him again.

Rudi, by the way, is a great character. No way is he going meekly like a lamb to the slaughter, as he sees his fellow Jews doing. He’s going to fight those bastard Nazis, and he’ll damn well make sure he takes as many of them down with him as we can. It’s good to have fighters like him and Uncle Sasha and Uncle Moses in a film that touches painfully on the awkward subject of Jewish apathy in the face of Nazi hostilities.

Inga is having to submit to being raped repeatedly by a Nazi in order to get her letters through to Karl in Buchenwald and, when Karl finds out what she’s had to endure to contact him, the ungrateful bastard turns against her. She even gets herself sent to Theresienstadt later on to be near him (he’s working here in their artist’s studio, believe it or not), but he still isn’t grateful for all her sacrifices. I’d leave him to rot where he is, seriously.

Erik Dorf is a handsome young lawyer and father of two who is looking for work. He joins the Nazi party because he needs a job, and also because his fanatical wife Marta is extremely ambitious for him and she thinks that ‘the Party’ is the way to go for their little family.

Erik doesn’t feel like he’s cut out to swagger about in a fancy Nazi uniform, pushing people about, but he gets used to it remarkably quickly. He quickly rises through the ranks after becoming invaluable to Reinhard Heydrich (David Warner doesn’t look much like this young blond god!), the man tasked with carrying out Hitler’s ‘Final Solution of the Jewish Problem.’

Erik’s involvement in ‘Kristallnacht’ earns him a promotion. Before too much time has elapsed, he’s Major Dorf, with a sort of travelling commission as part of the Concentration Camp Inspectorate. His job seems to be speeding up the killing process and making the camps more efficient as death factories.

We see him assisting Rudolf Höss, the Commandant of Auschwitz, with the introduction of Zyklon B, the pesticide used to gas millions of Jews. We see him attending a demonstration of the gas in action (‘Fantastic, utterly fantastic! It’s like a scene from Dante’s Inferno.’), against real people, and we can tell he hasn’t the stomach for it. Is this because he feels that what he’s doing is inherently wrong, or because he’s simply squeamish?

From time to time, we get the impression that Erik Dorf knows he’s going to hell for what he and his precious ‘Party’ have done, and yet there are other times when he can stand and impassively watch an atrocity taking place without batting an eyelid, such as when he’s a witness to the murder of 30,000 Jews at Babi Yar in the Ukraine in 1941. He’s fascinated at the way in which they passively go to their deaths, but I guess we’d all be the same if a bunch of guys were pointing machine-guns at us.

He constantly parrots the Nazi and SS mantra, that he’s only following orders, orders from above, orders from the highest office in the land. Does he really believe that it’s okay to murder women and children though, just on the basis that he’s ‘following orders?’ Does he really believe that blindly following orders justifies the massacres he constantly oversees?

Sometimes it looks like there’s a flicker of remorse behind his dead fish eyes but then, at other times, he’s a blank, a robot, an automaton. He’s the most important character in the show, in my opinion, because he helps us to see the logic, if you can call it that, behind the actions of the perpetrators of the Holocaust.

And, no matter what Dorf tries to make out after it’s all over, he’s a perpetrator. Even his wife, who makes her husband join the Nazi Party so she won’t have to stand in line at the butchers’ for the best cuts of meat any more, is a perpetrator. She makes Erik turn away Dr. Weiss when he comes to them for help when Karl has been arrested and incarcerated in Buchenwald. Goddammit, she’s nearly as much of a perpetrator as he is.

The mini-series does an excellent job of portraying the different situations that arose during the time of the Holocaust. We see the concentration camps, the Sonderkommando (the work details of Jewish prisoners who attended the gassings and afterwards burned the bodies in the crematoria) and the actual killing machinery. We see the Warsaw ghetto and the brave men who tried to defend it at the end. (Uncle Moses, you ROCK, and so does that old Rabbi who’s with you at the end!!!)

We see the Jewish Council (or Judenrat), of which Dr. Joseph Weiss is a member, having to select six thousand people a day to go on the dreaded transportations out of the ghetto to the death camps. We actually see the Jews on these transportations being bullshitted by the Nazis regarding this so-called ‘resettlement in the East.’ It’s not so bad, it’s only a work camp, and families can stay together, see? A wonderful new life awaits everyone in the East, now all aboard…

We see the Jews chosen by the Nazis to ‘police’ the ghettos, and we know how they too end up. ‘Don’t worry, Dr. Weiss, it’ll be my turn soon enough…’ We see the smuggling of food that went on in the ghetto even though the Nazis forbade it, but without the smugglers, even more people would have died in the gutters of starvation, a horrible slow death that no-one deserves.

We see the liquidation of the ghettos and how it was achieved, albeit with much bloodshed on both sides. We also see the Nazis’ T4 Euthanasia Programme (of the sick, the old and the disabled) in action, even though we might feel better for never having seen it at all.

We see Rudi taking part in the Sobibor concentration camp uprising and escape in October 1943, and his brother Karl being tortured by the Nazis over paintings he does in Theresienstadt that accurately represent the various desperate situations in the concentration camps, instead of the nice happy paintings commissioned by the Nazis.

We see how Theresienstadt in Prague was used as the ‘model’ concentration camp, trotted out whenever the International Committee of the Red Cross (the ICRC) wanted to send a few inspectors in. ‘Oh, we didn’t see any signs of any maltreatment,’ they invariably said when they’d completed their inspections there.

Well, d’uh! That’s what the Nazis wanted them to think. They went to a lot of trouble, with their fake coffee shops and their fake post office and their fake bank and their fake happy healthy prisoners, to make sure that the ICRC thought just what they wanted them to think.

The Jews are getting on grand here, the ICRC always said after a visit. They never seemed to question the right of the Nazis to imprison the Jews in the first place, but never mind. As long as they never saw any signs of maltreatment when they inspected the camps, well, I guess that’s all right then…

Tom Bell is utterly odious here as Adolf Eichmann, the number-cruncher of the entire Holocaust, and Ian Holm (Bilbo Baggins to you!) almost unrecognisable as Himmler, the third point of the ‘Final Solution’ triumvirate that had Eichmann and Heydrich as the other two points.

The assassination of Heydrich takes place off-screen, ditto the murder of a German bureaucrat/diplomat called Ernst Vom Rath by the Jewish Herschel Grynszpan, that prompted the shattering events of ‘Kristallnacht.’ 

Two one-off members of the cast of ‘Some Mothers Do ‘Ave ‘Em,’ starring Michael Crawford as the hapless Frank Spencer, can be seen in HOLOCAUST in small but important roles. See if you can guess which two…!

The whole mini-series is pretty much faultless. James Woods as Karl Weiss is a terrible husband- frankly Inga would be better off with that fat Nazi (a ‘fatzi?’) Heinz Mueller- but other than that I’ve no complaints. Top-notch viewing, recommended viewing in fact for students of the Holocaust. It certainly proves the point that, for bad men to triumph, all it takes is for good folks to do nothing…

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

sandrasandraharris@gmail.com

https://twitter.com/SandraAuthor

THE WANNSEE CONFERENCE. (1984) A CHILLING NAZI VISION REVIEWED BY SANDRA HARRIS. Â©

wannsee reinhard

THE WANNSEE CONFERENCE. (1984) BASED ON TRUE EVENTS. WRITTEN BY PAUL MOMMERTZ. DIRECTED BY HEINZ SCHIRK. STARRING DIETRICH MATTAUSCH AND GERD BÖCKMANN.

REVIEW BY SANDRA HARRIS. ©

This is one of the best, if the absolute grimmest, of all the Nazi films I’ve ever seen. It’s as good as DOWNFALL (DER UNTERGANG), the gripping story of Hitler’s last days in the bunker under the Reich Chancellery in Berlin, while the Russian army were less than a few miles away and their bombs and explosions shook every building in Berlin to its foundations.

It’s so realistic, THE WANNSEE CONFERENCE, that every time I watch it I feel like I’m watching a piece of found footage, that this is what actually happened, that this is exactly what happened when some of the Nazis’ top personnel got together at this luxurious villa in Wannsee in Berlin to discuss the finer details of what came to be known as ‘The Final Solution’ to the so-called ‘Jewish Question.’

Only one copy of the ‘minutes’ of the meeting survived the war, and it is from this that the dialogue is derived. The dialogue is of necessity fictionalised, but it comes from an extremely true place, as it were.

The purpose of the meeting was threefold: to thrash out the details of the Final Solution; to ensure the co-operation of the various Nazi government departments, who were represented at the meeting, in the carrying out of the Final Solution; and, finally, to decide who or what constituted a Jew, and therefore should be included in the Final Solution.

The meeting, which had been delayed a bit by America’s entry into the war after Pearl Harbour happened in December 1941, took place at the beautiful private villa in Berlin at the behest of the Reichsfuhrer-SS, otherwise known as Heinrich Himmler, one of Hitler’s ‘bestest’ men.

It was Hitler’s wish that the German Reich and all her occupied territories should be made ‘Juden-frei’ or ‘free of Jews,’ and Hitler’s wish was ‘Heini’s’ command. Hitler rarely troubled himself with the finer details of any of his policies, unless it was for the grandiose pie-in-the-sky model cities and buildings he intended to create after the war, which of course never happened. There was no ‘after the war’ for Hitler.

But the worse things became for Germany in the war, the more he immersed himself in these blueprints for mad projects that would never get done. It was obviously his chosen form of escapism, something in which he could retreat when the going got tough.

The onerous tasks pertaining to the Final Solution were left to his top men, who in turn sub-delegated the job to underlings and so on and so on until the job was done. Hitler and Himmler both envisioned a kind of ‘combing’ movement that ‘swept’ Europe ‘clean’ of Jews from left to right and vice versa, the way you’d go through a child’s hair with a fine-tooth comb during an epidemic of what we used to call ‘unwelcome visitors.’

Himmler delegated the job of making Germany and her occupied territories ‘Juden-frei’ to his pet toady, Reinhard Heydrich, tall, blonde, perfectly ‘Aryan’-looking and so cold he’d make the icy winds that blew around the glacier that proved the Titanic’s downfall feel like a gentle Caribbean breeze. The actor who portrays him here is so like I imagine the real Heydrich to be that it’s actually scary. No, scratch that. It’s terrifying.

The Nazis invited to this conference sit around a long polished table in their highly decorated uniforms, gorging themselves on delicious finger food, fine cigars and fancy cognacs while they hammer out the details of the Final Solution. As the star-struck secretaries in the reception areas outside the conference rooms put it, ‘there’s a lot of top brass here today.’

Hitler gets ‘heiled’ more times than you can shake a stick at. Facts and figures are thrown around while the various personnel report to Heydrich how ‘Juden-frei’ the areas under their personal responsibility have become or are hoped/intended to become in the near future.

Maps of occupied Europe are displayed to the room, with little coffins on them indicating the places where large numbers of Jews have already been killed. It’s shocking to the viewer, these little coffins, but the attendees don’t even bat an eyelid. The coffins are only used to represent Jews, after all, and not real people.

No-one wants to be found wanting in the presence of ‘Heini’s’ little pet, Reinhard Heydrich, regarded by many historians as one of the main architects of the Holocaust. Hitler dubbed Heydrich ‘the man with the iron heart.’ In other words, he has a swinging brick where the command central of his emotions and feelings is meant to be.

It is openly admitted here amongst these men, maybe for the first time, that the Jews whom they intend to send to ‘labour camps in the East’ are in fact destined for the dreaded ‘special treatment’ or ‘sonderbehandlung’ in the occupied areas of Poland known as ‘the General Government.’

No words stronger than this ‘sonderbehandlung’ will ever be put down on paper for fear that they might incriminate themselves, but here, amongst themselves, it is safe to admit such things out loud, even in the presence of the female secretary who’s taking the minutes and the waiters who serve them with their cognacs and canapés. Those cocky gits. The top brass, I mean, not the waiters.

The process of getting the Jews to the ‘labour camps in the East’ is discussed step-by-step with cold practicality. ‘Israel’ and ‘Sarah,’ their derogatory names for the male and female Jew, will obediently sign over their property to the Reich and hand the keys of their dwelling(s) over to the designated Nazi officials.

Then, carrying one suitcase and the paltry sum of no more than fifty marks- which will all be stolen from them at their destination anyway- they will board a train (most likely a cattle train) to ‘the East’ in a quiet and orderly fashion.

The destination will be one or other of the various concentration camps (Auschwitz, Treblinka, Sobibor, Mauthausen, Dachau, Bergen-Belsen, Belzec) and, at the end of the road, they’ll find the gas chambers and crematoria waiting silently for them.

Gas? Some of the men around the table, one in particular, pale a little at the mention of the gas. Either they didn’t know about it prior to today, or it just slightly offends their delicate, fastidious sensibilities to be hearing such nitty-gritty details.

Some people, the so-called ‘mental defectives’ and the disabled mostly, have already been put to death by means of travelling vans into which they would be piled and then killed by exhaust pipe, in much the same way that a person would commit suicide by sitting in their car with the exhaust running.

People grew to know in time that these vans heralded death for some. This is one way of doing it. But the downside of this method is that you can only kill a handful of people at a time. It’s slow and cumbersome, too slow and cumbersome.

Rudolf Höss, the commandant of Auschwitz whose post-war memoirs provide us with one of our most valuable documents of World War Two, gets a mention here then. He apparently ‘swears by Zyklon B,’ the pellets of insecticide that have been proven capable of murdering large numbers of people at a time.

The Jews are ushered into an ‘undressing room,’ where they are told to remember where they put their stuff for afterwards. This lulls them into a false sense of security, making them think that there will be an ‘afterwards.’

Once they are locked securely into the gas chambers, an SS man- it was always an SS man- will nip up sharpish onto the roof of the building and drop the pellets of Zyklon B in through an opening.

It could take several minutes for the gas to take full effect and the hundreds- or thousands- of people inside the room to die. There could be shouting and screaming for several minutes after the doors are locked. Victims could be observed through a peephole in the door.

Then the Sonderkommando, the concentration camp prisoners tasked with doing this horrible, horrible job that the SS themselves didn’t want, enter the room with gas-masks on to cart the bodies off to the nearby crematorium for burning.

The sights that would await them when those doors were opened were truly terrible. With blood, faeces and urine dripping from every orifice and their heads sometimes twisted on backwards with the pain and fear of what they’d undergone, the corpses were shocking to behold. Some members of the Sonderkommando might have to take pliers and remove the gold teeth from the mouths of corpses, surely the job straight from the jaws of hell itself.

Every so often, the members of the Sonderkommando would be themselves murdered and replaced by other prisoners. They were never left alive for long. The SS didn’t want people who knew so many of their grisly secrets to be walking around free, free to tell everyone they met about what they’d witnessed and experienced in the death camps.

At the conference, a lot of time is spent debating the ‘half-Jews’ and ‘quarter-Jews,’ and how exactly you determine whether someone is one or the other and how you then treat them. Previously, Jews married to Aryans or who had been married to Aryans but were now widowed had been exempt from ‘Sonderbehandlung,’ but now there’s talk of a clean sweep, of cutting all the ‘bacteria’ out of the diseased organism for good, for the good of the organism. This analogy from the plant world comes courtesy of one Adolf Hitler, by the way. Have you read MEIN KAMPF yet? Great cure for insomnia.

It’s a bit like a privileged gentleman’s club, this conference. Whenever any Nazi official proposes something particularly bloodthirsty for the Jews, most of the others rattle and bang the table with their fists and make approving, ‘hear, hear’- type noises, while swilling their pricey cognacs and smoking their fat cigars.

‘Why should our chaps die at the front while Israel and Sarah swan off to a holiday resort?’ one official says of the concentration camps. Well, Israel and Sarah will soon know the real meaning of work, the Nazis say, as the plan for any able-bodied Jews is forced labour and for them to be worked literally to death.

Another man is worried about whether he will lose his Jews- his free labour, he means- to the camps, as he needs them for his armaments factories. Why import and pay foreign workers, he says, when you can get the Jews for nothing? He’s delighted to hear that he can hold onto his slaves, at least for now.

The main player here, even more than Heydrich himself, who shamelessly chats up the pretty secretary (What’s WRONG with her, by the way? Has she no womanly feelings of compassion for the victims of genocide under discussion, or is she only interested in landing herself a man, preferably a high-ranking Nazi officer?) in front of everyone present and who expects a ripple of sycophantic laughter every time he cracks a little joke, is probably Adolf Eichmann. He’s the ‘numbers’ man and Heydrich’s so-called ‘Jew specialist’ or ‘Jew expert.’

He’s the un-extraordinary ‘petty bureacrat’ or pen-pusher about whom German-Jewish philosopher Hannah Arendt made her remarks referring to ‘the banality of evil.’ This was while Eichmann was on trial for war crimes in Israel in 1961, after being snatched from Buenos Aires by the Israeli group Mossad. He’d been hiding in South America since the war, having escaped from Europe via the ‘ratlines’ used by escaping Nazis for that exact purpose.

‘I was only a tiny cog in the Nazi killing machine,’ was his catch-cry during his trial, after which he was hanged for his crimes. This was how he liked to minimise his actions but we know that he attended this milestone conference. We know that he was one of the main Nazis responsible for organising the Jews onto those cattle trains that would take them to those mythical ‘labour camps in the East.’

A monster doesn’t always have to look like a monster, and be actually caught in the act of grinding children’s bones to make his bread, to have been responsible for the atrocities with which he’s charged. Eichmann is certainly a case in point for this particular argument.

He’s the Nazi who infamously said that when he died, he’d jump into the pit of hell with glee, happy in the knowledge that he had put six million Jews down there with him. Here, he’s certainly a fussy little bureaucrat, kissing Heydrich’s butt and pulling figures out of his sleeves and demonstrating his intimate knowledge of ‘The Jewish Question.’

I just want to bring one more conference attendee to your attention. There’s a portly, jowly official called Dr. (he has a degree in law) Rudolf Lange present, a young enough Nazi who was largely responsible for Latvia’s Holocaust. He’s another one who likes to get a laugh for his actions.

He falls asleep at one point, probably rendered dozey by all the cognac he downs at the meeting, and glories in the laugh this generates amongst his colleagues. To fall asleep while the details of the deaths of millions of people are being worked out seems irreverent, to say the least.

He’s brought his beloved German shepherd dog Hasso along to the conference with him because Hasso ‘needs a vacation.’ The inference here is that the dog is treated better than the Jews under discussion at the conference. He’s a great dog also, apparently, for ‘sniffing out Jews’ from their hiding places ‘in the latrines’ or ‘up chimneys.’ The film ends with Lange throwing a ball or a stick for the dog.

The whole film is an exercise in ‘show, not tell.’ The meeting unfolds in real time and a certain amount of knowledge on the part of the viewer is assumed. No character sits down and says to his colleagues: ‘Now, folks, as we all know, this is World War Two and Germany is about to start losing the war in a big way,’ and so on.

The discussion is all highly practical, to the point and cold and calculating, and Heydrich advises the report-givers to ‘be brief’ as his time is valuable and his cool blonde Aryan presence is required elsewhere.

The pragmatic and bureaucratic way in which the subject is gone over is frightening. If Eichmann typified for Hannah Arendt ‘the banality of evil,’ then surely this conference taken as a whole is an example of the pettifogging, bureaucratic mind-numbing and also terrifying minutiae of evil. Could this type of thing ever happen again? Well, all it takes is for good men to do nothing…

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens’ fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

sandrasandraharris@gmail.com

https://twitter.com/SandraAuthor

FRAGMENTS OF ISABELLA: A MEMOIR OF AUSCHWITZ. (1978) A BOOK REVIEW BY SANDRA HARRIS. Â©

isabella book

FRAGMENTS OF ISABELLA: A MEMOIR OF AUSCHWITZ BY ISABELLA LEITNER. (1978) THIS NEW EDITION PUBLISHED BY OPEN ROAD INTEGRATED MEDIA.

BOOK REVIEW BY SANDRA HARRIS. ©

This is a gorgeous little book. I thoroughly enjoyed it, if anyone can ever be said to have ‘enjoyed’ a book about the Holocaust and the tragic events contained therein. I read it in one sitting on the day I purchased it. The book itself had a lovely velvety feel to it, a texture I can never quite resist in a book. I buy some books just because I love the shape, the feel or the smell of them. I’m totally a book nut, lol.

It’s quite short, this FRAGMENTS OF ISABELLA, just a manageable one-hundred-and-twenty-seven pages in total and, in fact, it was named on publication as an AMERICAN LIBRARY ASSOCIATION BEST BOOK FOR YOUNG ADULTS.

I didn’t realise as I was reading it that it might be a book for Young Adults. I read it for what it is, a very moving, simply written but devastatingly telling account of Isabella Leitner’s- and her family’s- experience of the Holocaust.

Isabella (Leitner was her married name) was a beautiful young Jewish-Hungarian woman who was deported from the ghetto to Auschwitz on the morning of her twenty-third birthday. A cruelty indeed on the part of Fate- and the Nazis- but then, Isabella herself would probably say that every day is someone’s birthday and that all deportations were cruel. And of course she’d be right on both counts.

It’s so sad when she talks about how the non-Jewish population of Kisvarda, the small town in Hungary where she lived with her family, more or less stood by and let these deportations happen. They didn’t just let them happen, they actually stood there and watched them happen, some of them with smiles on their faces that seemed to a shell-shocked Isabella to mean:

‘Well, goodbye, dirty Jews, we’re glad to have our country back to ourselves again.’ In the end, Isabella said that she wanted to leave these small-minded, petty cowardly people behind her, whatever horrors the future held in store for her and her family.

This future was terrible indeed. Isabella and her mother, Teresa, and her four sisters Chicha, Cipi, Rachel and little Potyo, along with her brother Philip, were crammed together into one of the notorious cattle wagons for the journey to Auschwitz, the dead centre of the Nazis’ concentration camp killing machine.

Their father had gone abroad to seek safe passage and immigration papers for his family to come and join him in America or Israel, wherever he was, but I’m not sure if Isabella ever heard from him again after that. Their mother, Teresa, died in the jam-packed, almost airless cattle wagons, as did many others.

The old, the sick, babies, nursing mothers and the very young were, of course, particularly vulnerable to the appalling conditions. People were piled in on top of one another with nothing to eat or drink except what they’d managed to bring along themselves as per the Nazis’ instructions. There was only one bucket for sanitation purposes and the stench of urine and excrement would quickly become unbearable, as you can imagine.

The death of their cultured, kind-hearted book-loving mother was a terrible blow to Isabella and her sisters. Ditto, the death of their little sister Potyo not long after. Life was hard enough to bear without these two deaths to cope with as well.

Their arrival at the camp was the same nightmare experienced by all the others who passed through the dreaded gates of Auschwitz, over which were inscribed the words: ‘ARBEIT MACHT FREI,’ or WORK SETS YOU FREE. Not always the case at Auschwitz.

The sisters endured together the horrible shock of having their heads shaved immediately on arrival, as well as the shaving off of their pubic and armpit hair to prevent the spread of lice, a constant worry in the camp. Isabella describes herself and her sisters at this moment in time as ‘four naked-headed monsters,’ but they were not the monsters. They weren’t even close.

Isabella and her sisters made a pact to each stay alive. No matter what the awful camp threw at them, they would stick together and STAY ALIVE. Thus, whenever one of them felt like giving up and throwing in the towel, the sisters would all rally round and practically will that person to keep going, keep going, keep going, no matter what, to stay alive.

Isabella’s brother Philip, who would have been in the mens’ section of the camp, urged his sisters to stay alive also so that the Nazis could be ‘paid back’ for their crimes against humanity. Also, Philip said, it was so that they could tell the whole world what had happened there at Auschwitz, and that was obviously something that really resonated with Isabella.

And the awful camp had plenty in its horrible arsenal to throw at them. For example, the infamous ‘selections,’ at which Dr. Josef Mengele himself indicated with his right thumb or his left thumb who was to live and who was to die in the gas chambers.

Infectious diseases like typhus and TB. Irma Grese, the notorious SS woman, blonde and beautiful but with a heart of stone. Poor, rotten food. Limited washing and toileting facilities. The endless roll-call or ‘Appell’ at which you could be standing in line for four or more hours while the guards called out everyones’ names.

If there was a mistake or a miscount in the Appell, the guards would start again while the starving prisoners either froze in the snow or wilted under the sun. And always, always, always, the constant shouts of ‘Raus! Raus! Raus!’ meaning ‘Get out!’ or ‘Schnell! Schnell! Schnell!,’ meaning to hurry up. The Nazis always did everything on the run.

Isabella’s book was written in 1978, thirty-three years after Liberation. It’s a sad book, but it’s a book that ultimately contains a dazzling message of hope. PUBLISHERS’ WEEKLY says of it that: ‘Her (Isabella’s) slim volume is a celebration of the strength of the human spirit as it passes through fire.’

The things that Isabella and her sisters go through will strike a chord with any Holocaust survivors who read the book. She’s got her own way of putting things though, a unique voice that tells her dreadful story simply, in a way that’s easy to read and digest. It’s not like one of those massive Holocaust tomes that you could use as a door-stop if you needed to, but then it doesn’t have to be. Sometimes less really is more.

AUTHOR BIOGRAPHY OF SANDRA HARRIS. 

Sandra Harris is a Dublin-based novelist, film blogger, poet and book-and-movie reviewer. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens’ fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

sandrasandraharris@gmail.com

https://twitter.com/SandraAuthor

HITLER: THE RISE AND FALL. (2016) A DOCUMENTARY REVIEWED BY SANDRA HARRIS. Â©

hitler rise and fall

HITLER: THE RISE AND FALL: THE MAN BEHIND THE MONSTER. (2016) A DOCUMENTARY BY STAN GRIFFIN. NARRATED BY CHRISTIEN ANHOLT. REVIEW BY SANDRA HARRIS. ©

It took me two nights to watch all two-hundred-and-seventy-eight minutes of this gripping documentary, which amounted to three episodes a night at forty-five minutes each. This was surprisingly manageable, especially as it was the weekend and I was bloody well due a little me-time, lol.

Anyway, the documentary does exactly what it says on the tin, charting Adolf Hitler’s life and- ahem- life’s work from his relatively humble beginnings to his meteoric rise to become ruler of Germany and the Nazi Party, before, well, you know. The war and stuff. All the stuff he did. You know what I mean. We’re not supposed to mention it…

Various Professors of History and assorted academics who’ve nearly all written books on Hitler sit around chatting to camera about what they’ve learned about Hitler over the years and, coupled with the little dramatisations and recreations with actors and actresses going on in the background, it all actually makes for rather thrilling viewing. Here for your delectation is my own interpretation of the facts as presented by HITLER: THE RISE AND FALL. A sort of ‘HITLER FOR DUMMIES,’ if you will.

Hitler was born in 1889 in Austria-Hungary to a civil servant father who brutalised him physically and whom Hitler despised utterly, and a mother who worshipped him but understandably couldn’t protect him from his father’s wrath.

When Alois Hitler- the Dad- passed away in 1903, I doubt if Hitler shed many tears, unlike at the death of his mother four years later, which devastated him. It was the first major blow of his life. Probably the next one was when he was rejected for Art School in Vienna.

Apparently he wasn’t good at drawing people, but wasn’t bad at all at sketching buildings. In fact, he had a lifelong obsession with architecture and was always dreaming up ideas for fabulous buildings and town centres in his mind.

During his last days in the Bunker, while Berlin burned around him and the Russians were within shelling distance of the Reich Chancellery, instead of making plans to save himself and his entourage or to broker a peace deal with the Allies, Hitler fiddled endlessly with a scale model of a town plan of Linz in Austria, which he planned to turn into a cultural capital ‘after the war.’ I wonder when was the exact moment at which he finally realised that there would be no ‘after the war’ for him and his Party…?

Anyway, his special talent was really for public speaking. Boy, could he talk. He could- and did- talk for Germany. After World War One, in which he rather startlingly won an Iron Cross for ‘bravery’ (I always think of him as a bit cowardly, actually), he turned to politics. His early days in the Nazi Party saw him cutting his oratorial teeth on the speeches he made to admiring Party members.

He started to develop his anti-Semitic views around this time and was a real asset to the Nazi Party, which by the way he didn’t ‘found’ but he did join it very early on, when it was still in its infancy.

There’s a disturbing image for you anyway, the Nazi Party as a chubby baby complete with rattle and bonnet being wheeled round the park in an antique stroller by a uniformed Nanny. ‘Take me once round the park, Smithers, I’m feeling fussy…!’

The failed Beer Hall Putsch of 1923 came next, in which Hitler and his pals, including General Ludendorff from WW1, sought to stage a coup that would ultimately challenge the government in Berlin. Hitler was sentenced to five years in prison for his part in the Putsch but served only one, getting out early for, ‘of all things, good behaviour…!’

During his time in Landsberg Prison, Hitler dictated his autobiography, MEIN KAMPF, to his adoring deputy Rudolf Hess. I said dictated, not dedicated, lol. I don’t know if the book ever had the benefit of proper editing but most historians agree that it’s a major snooze.

He waffles a lot in it about his ideas on race and suchlike. They’re not at all what you’d call liberal. Some form of ethnic cleansing is implied. It’s seemingly badly written and a crashing bore, but essential reading, the experts claim, if you want to understand where he got his nutty ideas from or the ‘reasoning’ behind them. I did take it out of the library once, but the endless blocks of dry-as-dust, unbroken-up text made me return it soon after, unread.

After Hitler’s early release from prison, he began work on rebuilding the Nazi Party, which had stood by him throughout his, by all accounts, reasonably cushy incarceration. (There were flowers on the table in that prison cell, ffs…!) It was the Great Depression of 1929 that proved to be the key to Hitler’s later success.

With America demanding back the money they’d loaned Germany to get back on her feet after the punitive terms of the Versailles Treaty, Germany was in trouble financially and ripe for some political agitation from Hitler and the Nazi Party.

A stable, healthy German economy was no use to Hitler. But the recession that followed the Crash of ’29 was the perfect environment for the Nazis to flourish, and flourish they did, by promising the German people the only two things they cared about at this time, ‘ARBEIT UND BROT,’ or ‘WORK AND BREAD.’ They even delivered on their promises sometimes.

The elections of 1932 saw Hitler coming second only to Paul von Hindenburg (1847-1934), the elderly President of Germany, who died a mere two years later. Hitler was now becoming established as a political force to be reckoned with.

1933 was even better for Hitler, the funny little man with the toothbrush moustache, poor table manners and queer sense of sartorial style (the top hat and dog whip, seriously?).

He became Chancellor of Germany and, with the aforementioned death of the old President Hindenburg in 1934, Hitler made himself President as well as Chancellor and fixed things so that he couldn’t be removed from office. Dictatorship, anyone?

A lot of stuff happened between 1933 and the start of World War Two that we’ll try to get through quickly. Punitive laws were enforced against the Jews, coming to an explosive head- but by no means ending- on Kristallnacht or The Night Of Broken Glass (November 1938), during which Jewish shops were trashed and their synagogues burned.

In the Irish Jewish Museum here in Dublin, just as a matter of interest, they have on display a piece of a religious scroll saved from a burning synagogue on this terrible night. Hitler was apparently annoyed by the damage to some of Germany’s lovely old buildings during Kristallnacht. Oh dear. How careless of those naughty marauders to damage the buildings.

The Nazi Party brushed Germany’s racial ‘issues’ under the carpet for the duration of the 1936 Olympic Games, which were held in Berlin. Film-maker Leni Riefenstahl, who also incidentally filmed the Olympics, made a movie called TRIUMPH OF THE WILL, about one of the gigantic Nuremberg rallies, that captured all the terrifying glamour and spectacle so beloved of the Nazis. Hitler is represented as a god in this film, literally descending from the clouds in his little aeroplane, the first leader of a country to ever use air travel to his benefit.

During this period also, from 1933 to 1939, ‘enemies’ of the Nazi Party (like the chap who protested that his livelihood had been torn down to make way for lavish extensions to the Berghof, Hitler’s fabulous mountain retreat) were being sent to concentration camps, which already existed. Inmates taken there were supposed to undergo a sort of ‘re-nazification.’ Like the ‘re-Neducation’ in that TREEHOUSE OF HORROR episode of THE SIMPSONS but, like, a million times less fun, obviously.

The dreaded camps were not yet the killing machines some of them ended up being later on when the ‘Final Solution,’ the extermination of the Jews, was properly underway. For now, they were mostly for communists and people who opposed the Nazi ideology. There were eyes and ears everywhere. It was a dangerous time to speak out against the Fuhrer or his Nazi Party.

Hitler became obsessed during this time with the idea of ‘Lebensraum,’ or living space, for the German people. He built up and re-armed the Army that had suffered restrictions as a result of the Versailles Treaty, a humiliating document that had basically ground Germany into the dirt, as Hitler saw it, for having caused World War One.

The reparations Germany had to pay after WW1 were brutally punitive. Hitler metaphorically tore up this hated treaty every time he marched his newly re-armed forces into a different country in yet another stunning land grab, and the people of Germany loved him for it.

He’d united Austria with Nazi Germany without the firing of a single shot. The Austrians welcomed Hitler and his cohorts with open arms and floral tributes. He was like a king when he rode in his car through the flower-strewn streets. It was one of his greatest moments.

Then came his acquisition of the Sudetenland region of Czechoslovakia, Neville Chamberlain and ‘Peace In Our Time,’ and then the ill-fated invasion of Poland which led to Britain and France declaring war on Germany, much to Hitler’s surprise. What do these assholes care about Poland, he was probably thinking, but care they did. It was jolly well a matter of principle, old boy. The war was very much a go…

France fell fairly quickly to the well-oiled Nazi machine. Nazi steamroller, more like. Britain, of course, held out staunchly to the end because Britons never, never, never shall be slaves, of course. Hitler unleashed the full force of the odious, fatly smiling Goering’s Luftwaffe on them but to no avail. Britain was not for turning…

Hitler spent much of the war teaching his beloved Alsatian dog Blondi to do tricks. He also enjoyed eating cake- Hitler, that is, not Blondi, although who knows, maybe the doggie did too- and so he consumed quite a lot of the stuff up in the gorgeous little Teahouse that formed part of his mountainside hideaway in the Berghof, where his long-term mistress Eva Braun resided.

Hitler should have been as fat as a fool, with all the cakes the film-makers show him putting away in this documentary. I got quite peckish for cake, actually, while watching this film, and so a packet of Jaffa cakes may or may not have been sacrificed to the common good on one of the nights…

Dr. Theodore Morell, Hitler’s doctor, gets a mention here as the doctor who put the Fuhrer on a cocktail of drugs to treat his various ailments, real or imagined. Hitler was something of a hypochondriac, but the drugs he was given probably far exceeded his need and would have almost certainly contributed to how divorced from reality he was by the end of the war.

America entered the war in 1941 after the Japanese shockingly attacked Pearl Harbour. Hitler is seen in the documentary film as not taking this news seriously enough. It was a disaster for him, however.

The Americans were mightily pissed off and would stay in the war until the bitter end, until they, in fact, were the victors along with Britain and Hitler’s most hated enemy, Russia. The threat of Bolshevism was as bad, to him, as the threat represented by the Jews.

Hitler’s invasion of Russia was an unmitigated disaster also, resulting in the deaths of millions of Russian soldiers and civilians and German soldiers. Fighting a war of that scale on two fronts was too much for one man, a man who by now wasn’t even living in the real world.

The Holocaust, the wholesale murder of the Jews of Europe in concentration camps, was in full swing by now, with Auschwitz in Poland at the ‘dead’ centre of the operation. The more catastrophic Hitler’s war became for Germany, the more the killing was speeded up, the killing he actually termed ‘humane’ because it was done by gassing rather than other, messier means.

Everyone wants to hear about the Bunker, of course, the ‘good stuff,’ lol, when Hitler moved battalions that no longer really existed around the map from one place to another during the daily situation reports that became more and more fraught. The war was lost. The jig was up. Hitler was pretty much the last person to take this admittedly unpalatable fact on board.

In his last couple of days, he marries Eva Braun, dictates his last Will and Testament to his secretary Traudl Junge and shoots himself while Eva bites down on a cyanide capsule on the couch beside him.

Nearby, Hitler’s Propaganda Minister and long-time toady Joseph Goebbels prepares to follow his Fuhrer even unto death, along with his wife Magda and their six children. Thus, with a gunshot and the hasty burning of two bodies in the Reichchancellery garden, endeth the Third Reich. There’s talk of a Fourth sequel but I don’t know, I think the franchise is pretty much played out, lol.

There’s some really fantastic footage of the players in this iconic real-life drama in HITLER: THE RISE AND FALL. I’d never seen a lot of the footage before and it was gob-smackingly clear and exciting to view.

The historians are pretty good too, my favourites being the super-enthusiastic Emma Craigie, author of HITLER’S LAST DAY: MINUTE BY MINUTE, which I’ve read and enjoyed, and also a chap by the name of Professor Richard Overy. Watch this if you’re a history fan. It’s top-notch stuff.

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, film blogger, poet and book-and-movie reviewer. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens’ fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

sandrasandraharris@gmail.com

https://twitter.com/SandraAuthor