THE THORN BIRDS: THE MISSING YEARS. (1996) REVIEW BY SANDRA HARRIS. ©


THE THORN BIRDS: THE MISSING YEARS. (A 1996 CBS MINI-SERIES.) DIRECTED BY KEVIN JAMES DOBSON. BASED ON THE BOOK BY COLLEEN MCCULLOUGH. STARRING RICHARD CHAMBERLAIN, AMANDA DONOHUE AND MAXIMILIAN SCHELL.
REVIEW BY SANDRA HARRIS. ©

This made-for-television mini-series supposedly fills in the gaps left by the original mini-series, the phenomenally successful THORN BIRDS. In the original show, Meggie Cleary and the long-time love of her life, the handsome Fr. Ralph de Bricassart- yes, he’s a priest!- make love for the first time. Then, the action rather frustratingly cuts to ‘nineteen years later’ in the plot, when Meggie has two grown-up children; a daughter, Justine, by her husband Luke, and a son, Dane, by her beloved Fr. Ralph.

In THE MISSING YEARS, we start off when Dane is about ten and Justine a year or two older. Meggie left her he-man husband, sheep-shearer and cane-cutter extraordinaire Luke O’Neill, before Dane was born, because he promised her love and an equal marriage and then fecked off to cut cane and hang out with his boozy, womanising mates. All this while Meggie languishes with a family who need a housemaid. Quite the comedown for the lovely daughter of the Cleary clan, masters of Drogheda!

Now, Meggie is back home on the family ranch of Drogheda with her two children. Luke O’ Neill comes back, after all these years, at rather an opportune time. That part of Australia has been experiencing a two-year drought, and the ranch is desperately in need of a man about the place. Luke promises to give Meggie everything she’s been ‘missing’ in the way of love and affection and sex all these long, lonely years, and Meggie succumbs. She’s only human, after all.

Her kids in particular are delighted. Justine, who has never really had her mother’s love because she’s ‘only’ Luke’s child, is hostile to Meggie and absolutely determined to become a daddy’s girl straightaway. Dane, who thinks he’s Luke’s son, is happy too to suddenly have a dad, though his desire to be a Catholic or ‘mick’ priest doesn’t sit well with his he-man ‘father.’ Wonder where he gets his priestly leanings, lol…?

Meanwhile, we see how Fr. Ralph has helped Jews to escape the wrath of Hitler during World War Two, even going so far as to shelter them in the underground caves beneath the Vatican. He behaves heroically and selflessly and gets no thanks from his superiors for it.

Remember the way Fr. Ralph and the Church somewhat dubiously inherited Mary Carson’s millions and the estate of Drogheda in the original mini-series? Well, now, for using Drogheda money to help the Jews, Fr. Ralph is ‘banished’ by the Church to Australia once more, supposedly to hold talks with the Australian government about taking in some of the displaced victims of the war.

Not much in the way of politics gets done as Fr. Ralph is enmeshed once more in his love for the beautiful and feisty Meggie Cleary and hers for him. Fr. Ralph’s being back in Oz bodes ill for the touching re-union of Meggie and Luke, and both Luke and Justine are furious to see him back there, taking up all of Meggie’s time and thoughts.

A really dirty custody battle ensues over the one child Meggie would be truly devastated to lose. She could get her son back in an instant by proclaiming to the world at large whose boy Dane really is, but not even Ralph knows this fact. Also, Ralph’s career as an Archbishop would be ruined by the stunning revelation. Who does Meggie love more, and who will she choose to save, Dane… or Ralph…?

Richard Chamberlain is the only actor from the original mini-series who appears in THE THORN BIRDS: THE MISSING YEARS. Rachel Ward as the original Meggie is replaced by Amanda ‘get your kit off’ Donohue, so for this reason I was expecting the sex scenes to be practically x-rated, lol.

But no, surprisingly the show keeps its lovely romantic-rather-than-smutty feel, with the love scenes taking place this time around in an isolated cabin in the Australian outback rather than on the dreamy shores of Matlock Island, where the besotted pair first made the wild, passionate love that resulted in a son, Dane.

Fr. Ralph has a pretty sweet deal going on for himself in this show, as in the original. Much as I love- and fancy him- as a character, he led poor old Mary Carson on something rotten, and used her legacy, the legacy which was rightfully meant for the Cleary family, Mary’s true relatives, to better himself and climb the ladder of success in his precious Church.

He’s kept Meggie on a string for years, enjoying her adulation and her hero-worship and even her body, but always pulling away from her in the end, saying that he loves God more than he loves her. How that must have stung Meggie, but there’s nothing much she can do about it. The heart wants what the heart wants, allegedly.

This 1996 show was criticised for its many inconsistencies and deviations from the original plot, but we’re not going to get into these inconsistencies here. They’re fun to spot when you watch it, though! It’s a different big house and ranch too, as the ‘sequel’ is filmed in Australia and not in California, where the original was made.

There’s no topping the original mini-series for romance and sheer romantic pain and longing, but I feel that this second mini-series holds its own, after a ropey start. It becomes really exciting once the whole Meggie-Luke-and-Ralph love triangle kicks off, and the fist-fight between Luke and Ralph is genuinely entertaining and nail-bitingly enjoyable to watch. Luke, damn you, you had it coming…! Enjoy the ‘sequel,’ if for no other reason than you get to hear Henry Mancini’s dreamy score again.

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:

The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books: https://www.amazon.com/dp/1781994234

WOLF CREEK 2. (2013) REVIEW BY SANDRA HARRIS. ©

WOLF CREEK 2. (2013) DIRECTED AND CO-WRITTEN BY GREG MCCLEAN. STARRING JOHN JARRATT.

REVIEW BY SANDRA HARRIS. ©

I know that this film probably comes under the heading of torture porn, ie, a sub-genre of horror film that goes out of its way to show the viewers sickeningly graphic portrayals of gore and bloody violence against the human person, but I still love it.

And I find John Jarratt’s Mick Taylor an oddly compelling and sexually attractive serial killer, although that probably says more about me and my warped personality than anything else, lol. But lets’s have a closer look at him, anyway.

When he was a callow youth of twenty-three, John Jarratt played a fairly sizeable role as Albert Crundall in PICNIC AT HANGING ROCK, one of the best Australian horror movies ever made. He did it very well, as it happens.

Now, a mature, grizzly-looking John Jarratt plays Mick Taylor, a serial killer probably unequalled anywhere in film or literature in his zest for killing and the hatred against virtually all of society/humanity he harbours in his hairy breast, snigger.

He’s Australian, right, and an extreme example of the original Alpha male. Hunting, tracking, stalking, shooting, gutting, skinning, slicing, chopping, boiling, even sexually violating; is there anything he hasn’t done to the animal- or human- carcass? Mick’s done it all.

He loves the chase almost as much as the kill, and he’s usually pretty confident that he’ll bag his prey. He knows his territory, the deserted outbacks and lonely highways of Australia, like the back of his huge leathery hand, after all.

Dressed in his trademark lumberjack shirt, jeans, boots and a wide-brimmed hat to keep the hot Aussie sun off his widdle noggin, he trawls these largely empty roads looking for unsuspecting tourists and backpackers to lure back to his torture chamber of a home. And, once he gets you there, you’re better off dead…

Waking up in Mick’s torture chamber is the one thing you don’t want to do. And yet, it’s exactly what happens in WOLF CREEK 2 to poor Paul Hammersmith, an English tourist (played by an Australian actor) who unintentionally ‘deprives’ Mick of a beautiful German female captive whom he accidentally lets get away from him.

Mick is hopping mad. He can get months and months of fun and amusement out of a female prisoner, and this jumped-up little ‘pommie cunt’ has done him out of a guaranteed good time.

So, Mick’s determined to pay Paul back, and this is why Paul is cable-tied to the torture chair in Mick’s gracious establishment with Mick sitting opposite him, regarding him quizzically as if wondering which power tool to use on him first.

The astonishing level of knowledge possessed by Mick in regard to Australian culture and history is really quite shocking to witness. After all, he doesn’t strike one as a guy who did well in school and then went voluntarily on to further education.

Yet, the questions he sets Paul, who’s answering them in exchange for his life (and fingers!) here, are extremely in-depth and intelligent. Mick is proud to be an Australian, and he loves his country.

But there’s genuine love of country, and then there’s National Socialism, lol. Mick Taylor, possibly the world’s biggest xenophobe, is an equal opportunities racist. He hates everyone with the same level of contempt and disgust.

Every nationality, from the Germans to the English, is just another bunch of ‘foreign cunts’ to Mick Taylor. He refers to them as a plague of vermin, coming to ‘his’ country to f**k it up and destroy it. And we all know what you do with plagues, right? You wipe ’em out…

Paul’s ‘English wit’ and his pretty passable attempts to get Mick to join him in some buddy-buddy drinking songs is highly amusing to Mick, not unlike the way that King Kong is amused by Naomi Watts’s juggling tricks and acrobatics in the Jack Black/Peter Jackson version of KING KONG. (Both captives here are rather cleverly trying to use psychology to lull their captors into a false sense of security, but will it work?)

Unlike King Kong, however, Mick Taylor does still intend to kill poor unfortunate Paul Hammersmith. He simply doesn’t mind having a bit of craic and bonhomie with him first, a bit of man-banter. After all, the existence he leads is a pretty lonely one.

But Paul has at least some gumption, some balls; maybe he doesn’t want to be killed. Maybe, unlike the terrified females Mick is more used to, he intends to fight for his life, so that one day he can go back to England, as presumably he intends to do, and resume his job and/or his studies there. But, of course, Mick won’t go down without a fight, and Mick Taylor fights dirty…

I think this film is actually better than the 2005 original. The first film is excellent, and it’s fine that it’s just the relatively straightforward story of three young tourists who fall afoul of Mick on their wee driving holiday. It’s the perfect, easy-does-it introduction to the franchise. But WOLF CREEK 2 is so much more complex.

We get to see a whole lot more of Mick’s hate-filled, xenophobic personality, and the plot has a load of very satisfying twists and turns. I love the bit about the crooked, corrupt cops who try to give Mick a speeding ticket when he wasn’t even speeding (I don’t give much for their chances of survival, do you?), and the horror of the subterranean caves shows us that Mick’s evil has even more layers to it than we previously imagined. Roll on WOLF CREEK 3. Some of us need to know where our next Mick-Fix is coming from…

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page: http://www.amazon.com/-/e/B015GDE5RO

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books.