HAMMER FILM PRODUCTIONS PRESENTS: WAKE WOOD. (2009) A CREEPY IRISH FOLK HORROR FILM REVIEWED BY SANDRA HARRIS. ©

wake wood family

WAKE WOOD. (2009) DIRECTED BY DAVID KEATING. WRITTEN BY DAVID KEATING AND BRENDAN MCCARTHY.

STARRING AIDEN GILLEN, EVA BIRTHISTLE, TIMOTHY SPALL, ELLA CONNOLLY, AMELIA CROWLEY, AOIFE MEAGHER AND RUTH MCCABE.

REVIEW BY SANDRA HARRIS. ©

Eeeeeeh by gum, this ain’t half a proper little belter of a horror movie. It’s Oirish like meself, to begin with, with loads of the fabulous Oirish scenery, woods, rivers, trees and streams we have on offer here and, no, I don’t work for the bleedin’ Tourist Board, lol.

Can’t stand bloody tourists, me. Sure, they bring millions of foreign dollars, euros and pounds into our economy but every time you try to cross the feckin’ street there’s about a hundred of ’em standing there en masse in a big unmovable block, obscuring your bloody path.

Anyway, to get back to WAKE WOOD (partially shot in Sweden), it’s also a Hammer movie, from the British film production company that, in the ’50s, ’60s and ’70s, brought us such films as DRACULA, THE MUMMY, THE CURSE OF FRANKENSTEIN, THE VAMPIRE LOVERS, LUST FOR A VAMPIRE and FEAR IN THE NIGHT.

Famous for using such magnificent actors as Christopher Lee and Peter Cushing, their actresses were women so busty and beautiful that the term ‘Hammer Glamour’ was coined to describe them. WAKE WOOD sees the return of Hammer, as it were, and it’s a film they needn’t be ashamed of. Let’s have a squint at the plot, shall we, and see what we think?

Patrick and Louise Daley are an attractive young couple in their thirties who relocate to a remote Irish village called Wake Wood after the death of their daughter, Alice.

It’s a horrible death, too, as the child is mauled to death by a vicious dog. Patrick, a veterinarian, and Louise, a pharmacist, become estranged from each other after the death, which often happens after a couple lose a child.

What the young grieving couple don’t realise, however, is that Wake Wood is the exact right place to be in if you’ve suffered a bereavement and you want to see your lost loved one again.

Louise in particular is desperate to get her precious daughter back. Even though fathers suffer too- people often forget that fact- the mother’s grief is often the most vocal, the most obvious, because she’s carried this child inside her for nine months and given birth to it in a nightmare of blood, pain and whalesong.

In fact, the weird, clannish and mysterious villagers (they’d put you in mind of the community of Summerisle in the 1973 film THE WICKER MAN), led by the marvellous Timothy Spall as Arthur, have a way of bringing the dead back to life.

It involves a long and complicated pagan ritual that sees a ‘re-birthing’ of the dead person through the nice fresh cadaver of a recently deceased person. ‘Re-birthing’ is a very WICKER MAN idea. The mad inhabitants of Summerisle would be well on board with such an idea.

Timothy Spall as the ‘I see all and hear all’ Arthur offers Patrick and Louise the chance to see their adored daughter Alice again. Alice alive again, to be specific. There are conditions attached, however.

The couple, if they go through with the ritual, must promise to stay in Wake Wood forever and ever and ever, no matter what. Keep the secret in the village, that kind of thing. Fair enough. Patrick, in order to please Louise and keep her with him, would agree to putting on a dress and a flowery hat and calling himself Roxanne if it would only bring Alice back.

Next, Alice will only ‘return’ for three days. The couple will get the chance to say their goodbyes properly this time and make peace with their child’s passing. I say that this mad idea of ‘returning’ will only bring misery and unhappiness to Louise and Patrick. They’ll be losing Alice all over again when the allotted three days are up. How will they bear it?

There’s one final proviso. The ritual will only work correctly if the person to be brought back has been dead less than a year. How long has Alice been in the ground, Patrick and Louise, Arthur asks the couple in all seriousness.

Oh, much less than a year, Arthur, don’t you worry about that, only about eleven months, the couple carol in unison, while looking at each other with the shifty eyes of people who are telling big fat porkies.

If they’re telling the truth, the whole truth and nothing but the truth, well, grand. Alice will come back for the three days just like Arthur promised. If they’re lying, well, Alice might still come back, but there’ll be something very, very wrong with her. On their own heads be it, I say…

The scene where Patrick and Louise are breaking into their daughter’s coffin in the graveyard, in the dead of night in the middle of a rainstorm, is super-atmospheric. You’ll be reminded of Stephen King’s PET SEMATARY and of an anguished Heathcliff digging up a long-dead Cathy. I also think of DON’T LOOK NOW, in which a couple who’ve lost a child are tormented by what they think are visions of her in her little red raincoat.

I’m reminded too of that old story which I think is called ‘THE MONKEY’S PAW.’ An elderly couple who’ve lost their son in a terrible disfiguring accident are granted their wish to have their beloved boy back with them again. But the thing that has returned from the dead to bang so heavily and ominously on their door one dark stormy night is not the son they remember so fondly…

The whole film- WAKE WOOD, that is- is wonderfully creepy and atmospheric. And it poses the question, should you raise the dead or leave them in peace? Some folks would give their own lives to see a deceased loved one just one more time.

They have things they still want to say, like ‘I love you’ or ‘I’m sorry.’ They might want to ask where the fuck the telly remote is, missing since before the funeral, stuff like that. Or the keys to the bloody shed. They might want to hug the person one more time, or punch them in the face if it was a husband, say, who cheated and you only found out after he’d croaked. But does all this just make the second parting a million times harder to bear?

Personally, I would think that the second parting would be even worse than the first. Plus, you’re messing with things that are better left alone. It’s never a good idea for us mere mortals to play God. Please do bear that in mind, won’t you, if you go down to the woods today…

AUTHOR BIOGRAPHY OF SANDRA HARRIS. 

Sandra Harris is a Dublin-based novelist, film blogger, poet and book-and-movie reviewer. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens’ fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

sandrasandraharris@gmail.com

https://twitter.com/SandraAuthor

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FEAR IN THE NIGHT and STRAIGHT ON TILL MORNING: A DOUBLE BILL OF HAMMER HORROR FILM REVIEWS BY SANDRA HARRIS. ©

straight on till morning peterFEAR IN THE NIGHT and STRAIGHT ON TILL MORNING: A DOUBLE BILL OF HAMMER HORROR FILM REVIEWS BY SANDRA HARRIS. ©

FEAR IN THE NIGHT. (1972) DIRECTED, PRODUCED AND CO-WRITTEN BY JIMMY SANGSTER. STARRING RALPH BATES, JUDY GEESON, JOAN COLLINS, JAMES COSSINS AND PETER CUSHING.

STRAIGHT ON TILL MORNING. (1972) DIRECTED BY PETER COLLINSON. PRODUCED BY MICHAEL CARRERAS. STARRING RITA TUSHINGHAM, SHANE BRIANT, JAMES BOLAM AND KATYA WYETH.

‘Second star to the right, straight on till morning…’

I love, love, LOVE these two films, which I recently watched back-to-back courtesy of my lovely new twenty-one film Hammer Horror boxset. Yes, I know that I’m late to this party but I’ve always liked to make a spectacular entrance, lol.

It’s both ironic and apt that I should have chosen these two horror movies to go together. I hadn’t a clue when so doing that they’d been released together as a double bill back in the day, a double bill I would have adored to see on the big screen. The theme of both films revolves around female hysteria and mental fragility so they do actually sit really well together.

As it is, I was nearly incoherent with excitement at having brilliant new Hammer films to watch. New to me, that is. And at first I thought that FEAR IN THE NIGHT couldn’t be topped, so fantastic was it. Until I saw STRAIGHT ON TILL MORNING, that is

FEAR IN THE NIGHT sees the darkly attractive Ralph Bates (THE HORROR OF FRANKENSTEIN, LUST FOR A VAMPIRE, TASTE THE BLOOD OF DRACULA) playing a school-teacher called Robert Heller, who has just married a woman he’s known for only a few weeks. Nothing like a whirlwind courtship, eh?

Peggy, who works as a carer to an elderly woman before her marriage to Robert, is blonde, pretty but possibly a bit dim. She also has some unresolved mental issues. Robert must really love her to have taken her on as his wife, with all her mental and emotional baggage, eh…?

The night before Peggy is to leave her job and go to live with Robert, she is attacked in her flat by a seemingly one-armed man dressed in black. This isn’t a good omen, surely.

The police aren’t called because the doctor and Peggy’s elderly charge both agree that poor Peggy’s been under a lot of strain lately. That’s tantamount to saying that she’s imagining things, isn’t it…? Not terribly complimentary, anyway.

The newly-weds are going to live in a nice chalet or lodge-house on the grounds of the posh boys’ boarding-school where Robert works. Term hasn’t started yet and the school is empty of snobby little schoolboys when Peggy takes a tentative look around it by herself.

Well, she’s not quite by herself. She bumps into Michael Carmichael, the school’s headmaster, played by Hammer royalty Peter Cushing. He unnerves her by asking her to let down her pretty blonde hair, an intimate request that it would be more appropriate for a husband to make than a complete stranger, surely. Peggy is glad to get away from him.

If Michael Carmichael has unnerved her, then his wife Molly, played by a young-looking and glamorous Joan Collins, sets her teeth on edge with her patronising, bitchy and rather bossy treatment of Peggy.

Well, she is a headmaster’s wife after all and probably used to bossing people around, but this headmaster’s wife is a glossy, brittle super-bitch whose artificial veneer of hospitality doesn’t fool Peggy. Which is funny, because Peggy, as we see later, is exceptionally easy to fool. She’s malleable, pliable, vulnerable, impressionable and a prime target for ‘gaslighting…’

To her absolute horror, Peggy soon discovers that her one-armed attacker has followed her here to her safe little country abode. Robert has serious fears for her mental state.

Is Peggy crazy, or is there something nasty and sinister going on in this supposedly empty boarding- school? Is the school really as empty as we’re meant to believe? These are questions to which we’ll need answers before the curtain comes down on the final act…

All the four leads are excellent but I also loved the inclusion of James Cossins here as the doctor who looks Peggy over after the first attack by the, um, one-armed bandit, lol. He co-starred in THE ANNIVERSARY as one of Bette Davis’s messed-up sons, the cross-dressing one, and he’s given memorable performances also in SOME MOTHERS DO ‘AVE ‘EM and FAWLTY TOWERS.

In SOME MOTHERS DO ‘AVE ‘EM, he plays a man giving a course on Public Relations. All good so far, except that one of his pupils is the socially inept and accident-prone Frank Spencer. Suffice it to say that he’ll need time off after he’s given his course to have his Frank-induced nervous breakdown.

In FAWLTY TOWERS, Mister Cossins plays the man who sells outboard motors for a living but whom Basil has mistaken for the dreaded Hotel Inspector. ‘The wine has reacted with the cork and gone bad.’ The relief felt by Basil when he realises that he’s got the wrong man- yet again- is positively palpable. James Cossins is excellent at playing that type of well-spoken posh bloke.

STRAIGHT ON TILL MORNING, its title taken from childrens’ fairytale PETER PAN by J.M Barrie, blew me away completely. Rita Tushingham plays Brenda, a young woman who writes fairy stories for fun and whose head is permanently in the clouds. She could even have mental problems or be delusional. She’s not quite the full shilling by a long stretch.

Her behaviour at the start of the film is bizarre. Though she’s not pregnant, she tells her Mum that she is and that she’s off to London to find a father for her baby. Cuckoo…! She gets a job in a boutique and moves into a flat-share with one of her co-workers, the beautiful party-girl Caroline, and even goes to her first party, dressed of course like Ma Ingalls, lol.

A small dog is the means by which she meets and moves in with Peter, a stunningly good-looking, languid blonde hippy-ish type who lives in a fancy apartment and swans about doing nothing all day, or so it seems.

He’s seemingly independently wealthy and doesn’t need to work. At least, he’s got a drawer full of cash and he won’t say where it comes from, which is odd and even a little suspicious. It’s hard to imagine him working at anything, anyway. He’s just too damned languid…!

They’re an unlikely pairing, but Peter sees something in the Plain-Jane Brenda that strikes a chord within him. She’s not beautiful like he is but for some reason he’s okay with this. This is what he wants from a woman right now. He re-christens her ‘Wendy’ to his Peter (as in Peter Pan) and they sit around telling each other fairy stories. Ever so languidly, of course.

One of Peter’s stories, in particular, should make the dozey Brenda want to run for the hills but Brenda believes she’s finally found a man she can have her longed-for baby with. Astonishingly, Peter says he’s agreeable to fathering this kiddie but Peter is as mad as a box of frogs.

There’s no two ways about it. He’s damaged goods and his grip on reality is tenuous to say the least. It’s even more fragile than Brenda’s, and she’s a fruit-loop. What has happened to the divinely attractive Peter to send him off his rocker like that? The key is in the story he tells, the one that Brenda fails to interpret correctly.

How can one broken, mentally unsound person cure another? They can’t, of course. The pair can only enable each other to fulfil the worst of their potential until irreparable damage has been done. Peter and Brenda are on a collision course to disaster. Will anyone be left standing after the crash…?

Both these films kept me gripped right till the end, especially STRAIGHT ON TILL MORNING. The friend with whom I watched both films said that she didn’t know that Hammer made horror movies that weren’t about Dracula, the Mummy or Frankenstein’s Monster and she kept expecting Christopher Lee to pop in, fangs and cape and all. Well, anyone who knows me knows that I’d be all in favour of that, lol.

Anyway, we both absolutely loved these tense, taut and infinitely atmospheric psychological horrors. Perfect specimens from the Hammer vault of terror and suspense. Marvellous viewing for whenever you feel the need for the icy-cold, clammy fingers of Death on your shoulder…straight on till morning peterstraight on till morning peter

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, film blogger and movie reviewer. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens’ fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

sandrasandraharris@gmail.com

https://twitter.com/SandraAuthor

ANOTHER FIFTY REALLY RANDOM HORROR FILM REVIEWS TO DIE FOR… BY KINDLE AUTHOR SANDRA HARRIS.

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Hey! Hey, you! Yes, you there, reading this! Are you a horror film fan? Do you like reading what other people think about the films you love? Do you know who Hannibal Lecter, Michael Myers and Jason Voorhees are? Do you dream about meeting Stephen King and discussing the movie adaptations of his books with him? Are you a fan of Bram Stoker? Alfred Hitchcock? Jack The Ripper? Do you like poltergeists, mummies, entities, vampires, cannibalistic opera buffs, wicker men and haunted houses that actively try to kill their owners? What do you think of Hammer Horror? Have you ever had a sexual fantasy involving Christopher Lee? What do the words TARTAN ASIA EXTREME mean to you? Would you be willing to pay me $2.99 or less to read my personal opinions on all these things and more? Then buy my book, Goddammit, and you can roll around stark naked in my personal opinions if you feel so inclined! Hell, I ain’t one to judge…

ANOTHER FIFTY REALLY RANDOM HORROR FILM REVIEWS TO DIE FOR… Kindle Edition

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FIFTY REALLY RANDOM HORROR FILM REVIEWS TO DIE FOR… BY KINDLE AUTHOR SANDRA HARRIS.

11143706_964819836902316_71047635026825756_n

A veritable lucky dip of horror movie reviews, covering everything from old favourites and iconic titles to obscure and forgotten horror films and cult classics. Do you dare dip YOUR hand into this mystery bag of evil, demonic possession and bone-chilling terror…? You do…? Then on your own head be it… MWAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA…

FIFTY REALLY RANDOM HORROR FILM REVIEWS TO DIE FOR… (1.)Kindle Edition

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ANNA MEETS COUNT DRACULA… AN EROTIC HORROR TALE. THE FIRST BOOK IN ‘THE ANNA CHRONICLES’ BY KINDLE AUTHOR SANDRA HARRIS.

pd vamp

So, you thought that the Victorians just spent their time quietly drinking tea and genteelly repressing their innermost desires, did you? Well, you were WRONG! The household of the wealthy Carfax family is a hotbed of deliciously deviant carnality and vampire sex. The beautiful Lady Anna Carfax is abducted by none other than Count Dracula himself and is treated to the sexual awakening of a lifetime, or should that be undead-time…? The rest of the Carfax family, servants definitely included, are in and out of each others’ bedchambers like rats up the proverbial drainpipe. Even Sherlock Holmes and Jack The Ripper make an appearance in this shockingly scandalous paranormal sex-and-spanking romp set in Victorian times. It’s inspired by the late great Christopher Lee’s smoulderingly sexy performance as Count Dracula in the Hammer Horror films, and you’d have to be undead from the neck up to miss out on it…

ANNA MEETS COUNT DRACULA: AN EROTIC HORROR TALE (THE ANNA CHRONICLES Book 1) Kindle Edition

EROTIC HORROR NOVEL ‘ANNA MEETS COUNT DRACULA’ BY SANDRA HARRIS IS COMPLETELY FREE FOR ONE MORE NIGHT ONLY!!!

pd vamp
So, you thought that the Victorians just spent their time quietly drinking tea and genteelly repressing their innermost desires, did you? Well, you were WRONG! The household of the wealthy Carfax family is a hotbed of deliciously deviant carnality and vampire sex. The beautiful Lady Anna Carfax is abducted by none other than Count Dracula himself and is treated to the sexual awakening of a lifetime, or should that be undead-time…? The rest of the Carfax family, servants definitely included, are in and out of each others’ bedchambers like rats up the proverbial drainpipe. Even Sherlock Holmes and Jack The Ripper make an appearance in this shockingly scandalous paranormal sex-and-spanking romp set in Victorian times. You’d have to be undead from the neck up to miss out on it…

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based performance poet, novelist, film blogger, sex blogger and short story writer. She has given more than 200 performances of her comedy sex-and-relationship poems in different venues around Dublin, including The Irish Writers’ Centre, The International Bar, Toners’ Pub (Ireland’s Most Literary Pub), the Ha’penny Inn, Le Dernier Paradis at the Trinity Inn and The Strokestown Poetry Festival.

Her articles, short stories and poems have appeared in The Metro-Herald newspaper, Ireland’s Big Issues magazine, The Irish Daily Star, The Irish Daily Sun and The Boyne Berries literary journal. In August 2014, she won the ONE LOVELY BLOG award for her (lovely!) horror film review blog. She is addicted to buying books and has been known to bring home rain-washed tomes she finds on the street and give them a home.

She is the proud possessor of a pair of unfeasibly large bosoms. They have given her- and the people around her- infinite pleasure over the years. She adores the horror genre in all its forms and will swap you anything you like for Hammer Horror or JAWS memorabilia. She would also be a great person to chat to about the differences between the Director’s Cut and the Theatrical Cut of The Wicker Man. You can contact her at:

sandrasandraharris@gmail.com

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

https://twitter.com/SandraAuthor

http://www.amazon.com/dp/B00SAUGZ6K

‘ANNA MEETS COUNT DRACULA’ BY SANDRA HARRIS IS FREE FROM AMAZON UNTIL TUESDAY, FEBRUARY 17TH!!!

draculas coffin

So, you thought that the Victorians just spent their time quietly drinking tea and genteelly repressing their innermost desires, did you? Well, you were WRONG! The household of the wealthy Carfax family is a hotbed of deliciously deviant carnality and vampire sex. The beautiful Lady Anna Carfax is abducted by none other than Count Dracula himself and is treated to the sexual awakening of a lifetime, or should that be undead-time…? The rest of the Carfax family, servants definitely included, are in and out of each others’ bedchambers like rats up the proverbial drainpipe. Even Sherlock Holmes and Jack The Ripper make an appearance in this shockingly scandalous paranormal sex-and-spanking romp set in Victorian times. You’d have to be undead from the neck up to miss out on it…

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based performance poet, novelist, film blogger, sex blogger and short story writer. She has given more than 200 performances of her comedy sex-and-relationship poems in different venues around Dublin, including The Irish Writers’ Centre, The International Bar, Toners’ Pub (Ireland’s Most Literary Pub), the Ha’penny Inn, Le Dernier Paradis at the Trinity Inn and The Strokestown Poetry Festival.

Her articles, short stories and poems have appeared in The Metro-Herald newspaper, Ireland’s Big Issues magazine, The Irish Daily Star, The Irish Daily Sun and The Boyne Berries literary journal. In August 2014, she won the ONE LOVELY BLOG award for her (lovely!) horror film review blog. She is addicted to buying books and has been known to bring home rain-washed tomes she finds on the street and give them a home.

She is the proud possessor of a pair of unfeasibly large bosoms. They have given her- and the people around her- infinite pleasure over the years. She adores the horror genre in all its forms and will swap you anything you like for Hammer Horror or JAWS memorabilia. She would also be a great person to chat to about the differences between the Director’s Cut and the Theatrical Cut of The Wicker Man. You can contact her at:

sandrasandraharris@gmail.com

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

https://twitter.com/SandraAuthor

http://www.amazon.com/dp/B00SAUGZ6K