A STAR IS BORN. (2018) REVIEW BY SANDRA HARRIS. ©


A STAR IS BORN. (2018) BASED ON THE ORIGINAL SCRIPT (1937) BY WILLIAM A. WELLMAN, DOROTHY PARKER, ROBERT CARSON AND ALAN CAMPBELL. ALSO BASED ON THE 1954 AND 1976 SCREENPLAYS OF THE SAME NAME.
DIRECTED BY BRADLEY COOPER.
STARRING LADY GAGA, BRADLEY COOPER, SAM ELLIOTT, RAFI GAVRON AND DAVE CHAPELLE.
REVIEW BY SANDRA HARRIS. ©

This romantic musical drama is a fuckin’ brilliant and gripping film, despite the fact that every second fuckin’ word in it is the fuckin’ ‘F’ word. Still, who am I to fuckin’ complain? I’m not a fuckin’ rock star. The music is out of this word, the love story is all too believable and the acting is top-notch.

I’ve previously watched and enjoyed the 1954 version of the film starring Judy Garland and James Mason, but I actually think this modern re-make is better, and I hardly ever say that about any film, ever. That’s how impressive this modern adaptation is.

It’s the story of a young, ballsy American woman called Ally, beautifully played by Lady Gaga, who works as a waitress to make her living, but she also has a phenomenal talent as a singer-songwriter.

Despite this fact, she’s still a nobody as far as the world at large is concerned. Full many a flower is born to blush unseen, and waste its sweetness on the desert air, and all that. Thomas Gray wrote that, by the way. It’s a line from his poem, Elegy in a Country Churchyard.

Ally does have one outlet for her amazing creativity, however. One night a week, she gets to sing in a local drag club. On this one night in particular, guess who just happens to stagger in with the intention of getting loaded, as he does every night? It’s none other than Jackson Maine, who’s just about the biggest country/rock star on the whole frickin’ planet…

He falls in love with both Ally and her fabulous voice and stage presence when she does an absolutely riveting performance of Edith Piaf’s La Vie en Rose. Yep, the girl can sing in fluent French, too, and while lying flat on her back on the bar-top! Jackson is besotted with Ally from the moment he sets eyes on her.

The pair spend one of those once-in-a-lifetime special nights together, the night- before the sex happens- where you talk non-stop about your hopes and dreams and, in their case, the music they love and their songs and song-writing processes. The sex comes later, lol. And you only ever have this kind of night with someone you want to sleep with. Without the physical attraction, this kind of ‘you’re my soulmate’ connection simply wouldn’t happen. Trust me. I know what I’m talking about here.

Ally’s feet hardly touch the ground after this wonderful night. Before she knows what’s hit her, really, she finds herself being swept off her feet by the whole Jackson Maine circus. They quickly become a couple, and he’s so encouraging of her music that he even pulls her up on stage with him one night to sing the now-famous song, Shallow. It’s a stunning performance that quickly sees Ally becoming a star in her own right.

What she doesn’t know at the outset- even though Jackson is drunk when they meet- is that Jackson is a motherless alcoholic and drug-addict with Daddy issues. He also has a rapidly worsening hearing problem that has grave ramifications for his music career. In short, he’s a mess.

Without even noticing it at first, Ally slips automatically into the role of his mother/problem-solver/caretaker/cleaner-upper-after/excuses-maker and enabler, on the occasions when his lovely, endlessly patient older brother Bobby isn’t around to do these things for him and fill these roles.

Ally’s star is on the rise while Jackson’s is on the wane. Jackson’s behaviour when he’s drinking and snorting cocaine is out of control. Things come to a drastic head at an awards ceremony, where a pissed-as-a-newt Jackson commits an act of social inappropriateness that would make James Mason’s character in the 1954 film blush like a tomato.

Rehab rears its head, but is it too late for a depressed and downhearted Jackson? And what about his marriage to Ally? (Yep, they get hitched!) How can it survive Jackson’s extreme jealousy of his wife’s stardom and the insecurities that make him lash out cruelly at Ally’s weak points?

Her producer and manager Rez thinks that Ally would be better off without Jackson. He’s bringing her down, he’s like a millstone round her neck that threatens to de-rail her astronomic rise to fame if she’s not careful. Even Jackson’s greatest support, his big brother Bobby, is forced to take a back seat from Jackson’s addictions and dangerous behaviour when it becomes too much to bear.

What will become of the newly-weds? Is theirs a whirlwind romance doomed to bitter failure, or can things sink even lower than that…? It will take all of Ally’s courage and determination, which she has in spades, to get through these dark days. Lady Gaga is an excellent actress as well as one hell of a chanteuse, and she carries all before her as the troubled Ally.

The film accurately depicts the relationship where one of the parties is an addict and the other slips unwittingly into the role of enabler, before they finally wake up to what they’re doing and they either give the addict an ultimatum- clean up your act or I walk- or they leave, with the sad realisation that they are not responsible for the happiness of another. Great fuckin’ story, great fuckin’ acting, great fuckin’ music. That’s about it, really.

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:

The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books: https://www.amazon.com/dp/1781994234

THE WIZARD OF OZ. (1939) REVIEW BY SANDRA HARRIS. ©

THE WIZARD OF OZ. (1939) DIRECTED BY VICTOR FLEMING. BASED ON THE 1900 CHILDREN’S NOVEL, THE WONDERFUL WIZARD OF OZ BY LYMAN FRANK BAUM.

MUSIC BY HAROLD ARLEN AND HERBERT STOTHART.

STARRING JUDY GARLAND, BILLIE BURKE, MARGARET HAMILTON, RAY BOLGER, JACK HALEY, BERT LAHR, FRANK MORGAN, CHARLEY GRAPEWIN, CLARA BLANDWICK AND TOTO THE DOG AS HIMSELF.

REVIEW BY SANDRA HARRIS. ©

The ultimate chick flick…two women killing each other over shoes.

Transported to a surreal landscape, a little girl kills the first person she meets, then teams up with three strangers to kill again…

‘There’s no place like home…’

‘How about a little fire, scarecrow…?’

‘I guess we’re not in Kansas any more, Toto…’

‘I’ll get you, my pretty… And your little dog, too…!’

‘Erm, pay no attention to the man behind the curtain…!’

You can’t watch this classic film without singing along at the top of your voice to the terrific songs. It’s just not possible. Try it yourself and see. I’ve just re-watched the film and now the neighbours are banging on the walls in protest at my singing but I don’t care. I’ve had a lovely time and I don’t care who knows it, lol.

This is the story of Dorothy Gale, played by the then seventeen-year-old Judy Garland, who would forever be associated with the role. Dorothy is a much-loved little girl from Kansas who lives on a farm with her Auntie Em and Uncle Henry and her beloved terrier, Toto.

The only fly in Dorothy’s ointment is local citizeness of note, the grumpy and humourless Miss Almira Gulch, who has it in for Toto and keeps trying to get him put to sleep for biting her. On foot of Miss Gulch’s latest dirty rotten trick, a court order permitting her to take Toto to be euthanised, Dorothy determines to run away with her dog.

She picks a dodgy time to do it, though. A twister (tornado) blows into town unexpectedly and, while Uncle Henry, Auntie Em and the farmhands are all safely hunkered down in the family bunker, Dorothy and Toto are whirled up into the sky, knocked about a bit and finally deposited (with a witch-killing bump) in a land that’s about as far from Kansas as you can get… the merry old land of Oz.

Here, of course, is where she inherits the ruby slippers, meets the Munchkins of Munchkinland and is advised by the Good Witch Glinda to follow the Yellow Brick Road, which should eventually lead her to the Wizard of Oz in the Emerald City. The Wizard, as if you didn’t already know, is the one person who might be able to help Dorothy to return home to Kansas, the one thing in the world she wants more than anything.

Along the way, she picks up the Scarecrow, the Tin Man and the Cowardly Lion, who all want to meet the Wizard too and ask him for, respectively, a brain, a heart and courage. The raggle-taggle motley crew will have many adventures together before they’re finished, not least of which is greatly incurring the ire of Miss Gulch’s dreaded and dreadful alter ego, the Wicked Witch of the West.

The Witch with the long pointy face and green skin is the best and most kick-ass character by miles. Enraged by the fact that Dorothy has (inadvertently) dropped a house on her, the Witch’s, sister, and ‘stolen’ her magical ruby slippers, she’ll stop at nothing to get those slippers back, even if it means killing the person whose feet are currently occupying them…

The colour scenery in this musical fantasy extravaganza is fantabulous and the songs plentiful. Follow the Yellow Brick Road, Ding Dong the Witch is Dead and Somewhere Over the Rainbow & Co. will all leave you breathless, and infused with an amazing sense of well-being.

Dorothy and her pals learn a few gentle moral lessons along the way, and we, the viewers, are highly entertained from start to finish. It’s a win-win situation. Dig this one out if you have it, along with CHITTY CHITTY BANG BANG, THE SOUND OF MUSIC, WILLY WONKA AND THE CHOCOLATE FACTORY and A MUPPET CHRISTMAS CAROL for a fun and musical Christmas.

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page: http://www.amazon.com/-/e/B015GDE5RO

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books.