TWILIGHT 4&5: BREAKING DAWN 1(2011) AND BREAKING DAWN 2 (2012). REVIEW BY SANDRA HARRIS.

TWILIGHT 4&5: BREAKING DAWN 1 (2011) AND BREAKING DAWN 2 (2012).
BOTH DIRECTED BY BILL CONDON AND BOTH SCREENPLAYS BY MELISSA ROSENBERG.
STARRING KRISTEN STEWART, ROBERT PATTINSON, TAYLOR LAUTNER, PETER FACINELLI AND BILLY BURKE.
BASED ON THE BOOKS BY STEPHENIE MEYER.
REVIEW BY SANDRA HARRIS. ©

I thoroughly enjoyed both of these instalments of the TWILIGHT movie franchise. Who doesn’t love a comically mismatched wedding (a human female and a vampire male), an hilarious honeymoon where sex with the groom nearly cripples the bride, a pregnancy that makes itself known after just two weeks and a baby that’s practically walking and talking unaided by the time the loved-up couple exit the plane at the end of the honeymoon? And I’m only exaggerating, like, a teensy tiny little bit, you’ll see.

So, to elaborate a tad, Bella Swan, human female of Forks, Washington, recently graduated from high school, is marrying Edward Cullen, local vampire, nicknamed Sparkles by me for What He Does In The Sunlight, the big wuss, lol.

Their families and friends are out in full force to support them, even though Bella’s lovely kind father Charlie, the Sheriff of Forks, has his misgivings, and he doesn’t even know yet that the Cullens are bleedin’ vampires to a man…!

The wedding is a fairy-tale one, with rose petals everywhere and Bella in a beautiful white dress, because she really is still a virgin. The honeymoon is on a gorgeous paradise island which they’ll have to themselves, except for the caretakers. Edward and Bella finally do on the island what they’ve been threatening to do all franchise… have sex…

It seems to go well, but next morning their bedroom is completely trashed and there are big bruises all over Bella, because she’s still only a puny human and Edward is a powerful vampire who, believe it or not, was holding back when he made love to Bella so that he didn’t crush her to death in his manly kung-fu grip or something.

Two weeks later, Bella and Edward have had to dash home because Bella is seemingly pregnant, which all the vampires seem to be shocked at for some reason. Can’t vampires get human females pregnant if they have sex? It’s what seems to have happened, nonetheless, and the Cullen family now have to deal with it.

Giving birth to a vampire’s baby when you’re still a human is a dangerous business and it very nearly kills Bella. Her father Charlie is terrified for her health in general, though he doesn’t know about the baby yet, and her other true love, part-time werewolf Jacob Black- the wolves are the mortal enemies of the vampires- wants to murder Edward for putting the love of both their lives in such mortal danger.

Sparkles has caused this entire ridiculous hoo-ha with his big sparkly willy. Yep, willies- sparkly or not- will do that. Ah, willies, is it? (Read in the style of a grizzly old frontiers-man!) Came across a-couple of ‘em in mah time, up there on Bear Mountain. Mostly bears up there most of the year, don’t usually get no willies no-how, but that one summer, oh, how I seen ‘em…! So many darn willies. The one that got away, even bigger that the two I catched…!

The CGI and special effects around Bella’s physical deterioration are actually superb, although it’s uncomfortable to see her looking like a concentration camp victim. The baby is taking all of Bella’s nutrition- yep, they’ll do that!- and it looks like Bella might genuinely die of starvation when Carlisle, the Cullen family paterfamilias and a doctor of medicine, steps in and feeds Bella a load of human blood just to stop her from dying of hunger.

A sort of Uma-Thurman-in-PULP FICTION situation occurs very dramatically, however, and Edward Cullen’s instantaneous John Travolta-style reaction results in the one thing that Bella has wanted all along, apart from her precious baby… Bella becomes a vampire, and, boy, is there going to be a lot of explaining to do in the Christmas newsletter this year…!

BREAKING DAWN 2 sees the Cullens and the Blacks getting acclimatised to having the new baby around. Bella has named the little girl ‘Renesmee’ in honour of both their mothers. Jacob Black, the part werewolf, has ‘imprinted’ on the baby, which means that he is honour-bound to protect her from all harm for the rest of both their lives. I think it also means that he has to marry her when she’s of an age, which is quite creepy…!

The baby has grown at an unnatural rate, and is practically getting ready to go off to college when word comes that the vampire police, the Volturi, are coming from Italy to kill the baby, as they believe her to be an ‘Immortal’ baby, one that could be a threat to them. She’s not what they think, however, so the Cullens go about amassing ‘witnesses,’ ie, other vampires, to put in a good word for them. For all the good it might do…

The battle itself is great fun. Dakota Fanning as the bitchy Jane, Volturi Queen of Pain, gets knocked on her ass, as does Michael Sheen as Aro, the highly camp leader of this very camp conglomeration of vampires. Bella, the newborn vampire, acquits herself well in her first skirmish and is a fiercely loving and loyal mother to Renesmee.

Rami Malek, who stars as Freddie Mercury in the superb BOHEMIAN RHAPSODY (2018), weighs in on the side of the Cullens, as do the werewolves, while Jacob Black heroically guards Renesmee. But, when the dust settles, where will Bella, Edward and Renesmee stand?

I assume the Cullens will continue to stand where they always have, in their beautiful glasshouse in the forest, in a straight line as usual, fully dressed at all times in smart-casual designer clobber. They’re never caught short or taken by surprise or doing anything when Alice has one of her ‘visions,’ which always require immediate action.

No-one’s ever in the toilet, or fiddling around with the fuseboard or doing a Sudoku or anything. I really think they must stand around in a state of suspended animation until Alice comes in and tersely delivers one of her pronouncements, which are never good news. They all look like dolls, action figures that have to be moved into position by the child who owns them. Maybe a child does own them! It would explain a lot.

The entire cast get a shout-out in the end credits while the viewers are free to bawl their eyes out from the very opening bars of Christina Perri’s song, A Thousand Years, which even I, a relative newbie to the franchise, will always now associate with the TWILIGHT movies.

I’ve put the cart before the horse a bit, I know, by watching the films first, but I now intend to read the books as well. I don’t do owt by halves, me. Does that make me a Twilight mom, albeit ten years too late? If it does, it does. Sparkle on, Twilight fans. Sparkle on…  

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

Her new book, THIRTEEN STOPS EARLIER, is out now from Poolbeg Books:

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:

The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books:

TWILIGHT 3: ECLIPSE. (2010) REVIEW BY SANDRA HARRIS.

TWILIGHT 3: ECLIPSE. (2010) DIRECTED BY DAVID SLADE. BASED ON THE BOOKS BY STEPHENIE MEYER.
STARRING KIRSTEN STEWART, ROBERT PATTINSON, TAYLOR LAUTNER, BILLY BURKE, BRYCE DALLAS HOWARD, DAKOTA FANNING, GIL BIRMINGHAM AND PETER FACINELLI.
REVIEW BY SANDRA HARRIS. ©

I didn’t enjoy watching this third instalment of the vampire romance saga as much as I did the first two films, because there are a whole load of new vampire enemies in it that I just can’t bring myself to give a shit about, if you know what I mean, and I can promise you that I won’t be writing too much about this aspect of the film. I can even break the plot of this third film down into numbered parts for ease of reading, if you like, so clear-cut is it.

1.      Bella Swan, human schoolgirl, adores Edward Cullen, a vampire over a century old who sparkles in the sunlight, goddamn it. ‘Tain’t natural, it just ain’t natural. They are having one of those deathly intense relationships only teenagers can have where they talk about the negatives ad nauseam and only break it up to do a little kissing and necking.

2.      Bella desperately wants Sparkles to ‘turn’ her into a vampire, because, you know, what a great life they lead in the shadows and all that jazz. Sparkles is reluctant to ruin her life by so doing, fair play to him, but, if he must, then he insists on their being properly married first. Old-fashioned, but, I suppose, vaguely commendable.

3.      Bella has to be awkward, of course. She refuses his proposal initially, saying that marriage is only a piece of paper, which doesn’t really fit with what we know of her devotion to Edward and her unwillingness to allow him to continue on life’s journey alone without her. On the other hand, her parents’ marriage has been a bit of a disaster, so maybe that’s what’s influencing her strange decision.

4.      Bella eventually caves in to the idea of marriage. So, now their plan is marriage, sex, then the ‘turning.’ As opposed to sex, the ‘turning’ and no marriage. And the ‘turning,’ followed by ‘let’s see how it goes.’ It’s getting confusing now though, so let’s hope they don’t change the running order of things too many more times…!

5.      Bella has the hots big-time for part-time werewolf, full-time beefcake Jacob Black, played by Taylor Lautner. He doesn’t wear a shirt once in this film, and his exceptional abdominals give even Edward the heebie-jeebies. ‘Doesn’t that guy own a shirt…?’ he asks Bella in a bitchy little girl voice. Threatened, much? Snigger.

6.      Bella also loves Jacob, but she loves Edward more. Both men, including poor Jacob who would do anything for her, are seemingly content to put up with this bullshit. They spend much of this film snickering at each other over who loves her more, or which one would be best for her in the long run.

7.      That would be Jacob, of course. She could marry Jacob and still remain a human girl who can do all of the things a human girl can, and she won’t have to say goodbye forever to her parents or any other loved ones, which she will have to do if she chooses Edward. When. When she chooses Edward, because there’s no question in her mind about it.

8.      There’s one hilarious scene on a snowy mountain-top where Jacob has to save a freezing Bella with his body warmth, something Old Frozen Dick can’t do for her no-how. You know, she should really be naked for this to work, says Jacob slyly, just to rile up the Pale One. And he’s accurate about that as well, it’s medically proven, so yah boo sucks to you, Sparkles! He just has to suck it up, lol.

9.      The movie ends with a long boring battle between the Cullen vampires and a bunch of stupid ‘newborn’ vampires from out-of-town, with the magnificent werewolves of Jacob’s pack weighing in on the side of the Cullens for Bella’s sake.

10.  Bryce Dallas Howard (Aunt Claire from JURASSIC WORLD; the blind girl from THE VILLAGE by M. Night Shomom- Shymom- Shomomolon- by the guy who made SIGNS) stars in this film as the red-headed Victoria, leader of the enemy clan of vampires. Her mate James- mate as in lover, not me old mucker- was killed by Edward in an earlier film, hence her beef with the Cullens.

11.      Dakota Fanning also stars as the bitchy Jane, the Queen of Pain, a member of the Volturi or Vampire Police. Vampire Police, can you imagine? ‘Licence and registration, please, sir,’ and ‘I’m gonna need you to blow into this bag for me, sir…!’

12.      Also, just to mention that the movie touches on the back stories of both Rosalie and Jasper Hale, both mopey Cullens, in this film, but I don’t care enough about either minor character to recount their various histories here. What? They’re boring AF, lol.

13.  The best- and funniest-part of this film is the love rivalry between Jacob and Edward, and the way in which Bella openly encourages this for all she’s worth, the dirty minx!

14.  Stay tuned for my review of the next two films, BREAKING DAWN: PARTS ONE AND TWO, because we’ll be talking about the marriage and the wedding night and the losing, at long last, of Bella’s virginity; one movie-critiquing wag christened ECLIPSE ‘the ongoing saga of the unbroken duck.’ Hilarious. Be there or be, well, somewhere else. But don’t be somewhere else, please. Here’s where the long-awaited deflowering will be discussed in all its bloody glory…

 AUTHOR BIOGRAPHY OF SANDRA HARRIS.
 
Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:
http://www.amazon.com/-/e/B015GDE5RO
Her new book, THIRTEEN STOPS EARLIER, is out now from Poolbeg Books:
https://amzn.to/3ulKWkv
Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:
https://www.amazon.com/Thirteen-Stops-Sandra-Harris-ebook/dp/B089DJMH64
The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books:
 https://www.amazon.co.uk/Thirteen-Stops-Later-Book-ebook/dp/B091J75WNB/
  

TWILIGHT. (2008) REVIEW BY SANDRA HARRIS. ©

TWILIGHT. (2008) DIRECTED BY CATHERINE HARDWICKE. BASED ON THE BOOK BY STEPHENIE MEYER.

STARRING KRISTEN STEWART, ROBERT PATTINSON, BILLY BURKE, TAYLOR LAUTNER AND PETER FACINELLI.

REVIEW BY SANDRA HARRIS. ©

All right, all right, settle down now, class. We’ve all seen the memes. Real vampires don’t sparkle, right? Real vampires are Kiefer Sutherland and the Lost Boys, they’re Catherine Deneuve and David Bowie in THE HUNGER. I could go on.

Now that we’ve gotten that out of our collective systems, today I’d like to address the class on the subject of TWILIGHT, the biggest franchise since Harry Potter and without which there would be no FIFTY SHADES OF GREY franchise, because the FIFTY SHADES books started out as TWILIGHT fan fiction. See?

I for one thoroughly welcomed both TWILIGHT, the films and books they said were for teenage girls, and FIFTY SHADES, the ‘mummy porn’ that middle-aged women could supposedly binge-read in perfect privacy on their kindles, like a bunch of sex-hungry, well, mummies. It was about bloody time the film and book industries did something for the female sex!

TWILIGHT (2008) is the first film in the TWILIGHT saga. It features Kristen Stewart as Bella Swan, a seventeen-year-old schoolgirl who got in one little fight and her mom got scared and now she’s moving with her auntie and uncle in Bel-Air.

No, wait, that was totally Will Smith as the Fresh Prince of Bel Air. Bella Swan is actually moving in with her sheriff dad Charlie in Forks, a small photogenic town in Washington, after living with her flighty mom in Phoenix, Arizona. Forks has the most fabulous rainy woods, rivers and mountains and is gorgeous to look at, but Bella, shy and not too ugly herself, isn’t looking at the scenery.

She’s way too busy falling head-over-heels in love with a boy-man at her school, Edward Cullen, a member of the mysterious and pale-faced Cullen family. It takes Bella a little while to work out what we all kind of suspected, back in the day. He’s deathly pale and his skin feels freezing cold to the touch. She’s never seen him eat, and he’s unnaturally fast and strong, even saving Bella’s life in a car accident once with his pure-quick-wittedness and the strength of ten men.

So, what else could he be but… a fortune-telling raccoon with a musical ear and the power to see into the future. . .? No, no and no. He’s a deeply introspective vampire, ‘turned’ by his foster father Carlisle Cullen during the Spanish Influenza Outbreak of 1918. Now he lives with his rich immortal father, just mentioned here, and his rich immortal family in their fabulous glass house high up in the drenched and dripping woods of Forks.

Bella is willing to do anything to get Edward to stay with her forever. Edward isn’t so sure. He gets all mealy-mouthed and says things like, But, I’d only hurt you! And Bella just gets all carried away, saying to the shocked Edward, oh, but I’d really love that, bring it on! And Edward says, well, you must be crazy, missus, but if that’s what you really want, who am I to argue?

So they become the school’s hottest new couple, much to the concern of Edward’s family. They’ve survived this long only by keeping their deadly secret from the humans amongst whom they live and mix daily. If Bella leaks this secret, she will not only endanger all of them but she will be the biggest blabbermouth since Kat Slater from EastEnders. She knows what she did. (‘I’m your muvver, Zoe…!’)

Anyway, Bella goes to the home of the Cullens at Edward’s request and is welcomed by them as cordially as if she were a vegetarian hot dog on a stick. Yes, the Cullens are ‘veggie’ vampires, only drinking the blood of animals, as opposed to whatever’s been murdering and mutilating random people in the town of Forks.

It wouldn’t be the three weirdos who’ve just crashed the Cullens’ lame-o baseball game, could it? And, if they do happen to like the taste of human blood and flesh, has Edward just put the still human Bella in the greatest danger since a bunch of toffee-nosed English chaps decided amongst themselves that that nasty little commoner Hitler was in fact ‘all talk’…?

Now, for homework, class, please discuss the following, giving arguments for and against:

  1. Does Edward Cullen exercise the kind of coercive control over schoolgirl Bella Swan that has recently put Welsh footballer Ryan Giggs in a court of law fighting for his reputation…?
  2. Why do you think Bella Swan is so willing to give up everything for the love of this sparkly teenage boy? Is she suffering from extremely low self-esteem, and from where might she have obtained the notion that she, Bella, is a sack of shit, whereas Edward is a total prize…?
  3. Why did I completely forget to mention Taylor Lautner, who plays Jacob Black, Bella’s forgettable old friend whom even Bella has trouble remembering?

One more thing before you go. Jackson Rathbone, who plays the vampire Jasper, is in fact distantly related to British acting legend, Basil SHERLOCK HOLMES Rathbone. There’s the bell, make sure you bring in NEW MOON, the second book in the TWILIGHT saga, with you tomorrow. If we’ve literally nothing else to do, we might have a browse through it. Good afternoon to you all now. No running in the corridor, Matthews, you little shit! Christ, where did I leave my fags?

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

Her new book, THIRTEEN STOPS EARLIER, is out now from Poolbeg Books:

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:

The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books: https://www.amazon.co.uk/Thirteen-Stops-Later-Book-ebook/dp/B091J75WNB/

PANIC ROOM. (2002) REVIEW BY SANDRA HARRIS. ©

PANIC ROOM. (2002) DIRECTED BY DAVID ‘FIGHT CLUB’ FINCHER.
STARRING JODIE FOSTER, KRISTEN STEWART, FOREST WHITAKER, JARED LETO AND DWIGHT YOAKAM.
REVIEW BY SANDRA HARRIS. ©

I love this brilliant home invasion film. I watched it in the cinema in 2002 and was completely blown away by it. It’s a slick thriller that any writers would do well to study if they want to learn about plot, and the plotting of a good, tight story. The film-makers take a simple enough premise as the basis for a story, then just keep ramping up the tension till the whole thing explodes in a massive crisis.

Jodie Foster is excellent as Meg Altman, a recently divorced woman who moves into a fantastic four-storey brownstone in New York City’s Upper West Side. Her millionaire ex-husband is in pharmaceuticals, so he can afford the rent, and he now lives with a supermodel, the prick, after breaking up his marriage.

With Meg is her pre-teen daughter, Sarah, played by a boyish-looking but unmistakable Kristen Stewart from TWILIGHT. The house is miles too big for them, of course. What the hell do a woman and a child want with all that space? The house lends itself perfectly to the plot, however.

On their first night in the huge, largely empty old house, it’s dark, windy, rainy and altogether spooky. Three men break into the house. When Meg spots them purely by accident on the security cameras in the panic room next to her bedroom, she grabs up a sleepy Sarah from the floor above and the pair of them flee for safety to the panic room.

Irony of ironies, the reason the three men have broken in is in the panic room, i.e., a stash of cash or bonds hidden there by the house’s previous occupant, a millionaire. This means that the terrified mother and daughter can’t just sit out the robbery in peace and comfort in their panic room. Those three guys are hellbent on actually coming in…

Forest Whitaker plays Burnham, who installs panic rooms for a living and works for the security company who services this particular house. Jared Leto plays the millionaire’s spoiled, bratty grandson, who’d prefer to steal his Grandpa’s bonds and keep them all for himself rather than wait for everything to be doled out legitimately in the will.

The third guy, Raoul, is a real loose cannon, a thug brought along by Junior. Raoul doesn’t care if he kills or maims anyone on this job, and that’s the difference between him and Burnham. Burnham doesn’t want anyone hurt and is deeply unhappy with the fact that the mother and daughter have moved in to the house a few days earlier than they were expected to.

Burnham is the only thing standing between Meg and Sarah and the nasty ugliness of Raoul’s foul nature and Junior’s greed and impulsivity. Will he come through for them? Add to all of this the fact that Meg gets claustrophobic when in small spaces and Sarah is prone to diabetic comas and needs her glucose injections. From a special bag. Which is not in the panic room. Oh, and Meg hasn’t connected the panic room phone yet…

The tension just keeps being ramped up and up, as I said earlier, until everything all spills over into a breath-taking climax. Jodie Foster, even though I believe she was pregnant at the time, is particularly athletic and throws herself all over the place in a really impressive manner for the duration. I just love the film, anyway, and I have good memories of seeing it in the cinema. Hopefully you’ll enjoy it too. It does exactly what it says on the tin.

AUTHOR BIOGRAPHY OF SANDRA HARRIS.
 
Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:
http://www.amazon.com/-/e/B015GDE5RO
Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:
https://www.amazon.com/Thirteen-Stops-Sandra-Harris-ebook/dp/B089DJMH64
The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books:
 https://www.amazon.com/dp/1781994234