NORTH AND SOUTH: THE EPIC MINI-SERIES REVIEWED BY SANDRA HARRIS. ©

orry george

NORTH AND SOUTH: THE COMPLETE COLLECTION. (1985, 1986 AND 1994) BASED ON THE BOOKS BY JOHN JAKES. STARRING MAINLY (SEE WHAT I DID THERE?) THE DELICIOUS PATRICK SWAYZE, BUT THERE MIGHT POSSIBLY BE SOME OTHER PEOPLE IN THERE TOO.

REVIEW BY SANDRA HARRIS. ©

This is what I’m talking about. This is what I call a mini-series. A superb romantic and historical epic, it’s based on the three whopping great doorstops of books by John Jakes which must have set this guy up for life, they were so popular, probably mostly because of the mini-series.

Broadly, NORTH AND SOUTH, LOVE AND WAR and HEAVEN AND HELL tell the story of, respectively, the lead-up to America’s Civil War that set brother against brother and friend against friend; the Civil War itself; and then the grim, often depressing period of Reconstruction that followed the war and takes us a bit into cowboy-and-Indian times as well.

More specifically, though, the books and mini-series tell the story of two families, the Hazards and the Mains, who find themselves on opposing sides of the war when it kicks off in 1861. And, more particularly again, it’s the tale of two men from these families, George Hazard and Orry Main, who form lifelong friendships at Westpoint military college, but their friendship is tested in many ways over the years both because of the war and the fundamental differences between their families, the differences that started the war in the first place.

The Mains own a huge cotton plantation in the Deep South. They are filthy rich, live lovely gracious lifestyles characterised by fabulous elaborate dresses for the women and mint juleps and political chit-chat on the lawn for the men. They have lovely accents and call everyone ‘suh,’ as in, ‘Suh, I say, suh, I fear that your necktie offends me and I demand satisfaction, suh!’

The demanding of satisfaction might be preceded by a harmless but infinitely insulting glove-slap to the kisser. If you don’t come back with the appropriate response, you’ll certainly be branded a coward for life, and who wants that…?

The Mains are like the O’Haras and the Wilkeses from GONE WITH THE WIND. Despite their being much more enjoyable to watch than the duller Northerners or ‘damn Yankees,’ to use the correct historical term, they have one major flaw. They keep slaves, black slaves without whom they could not run their precious cotton plantations, from which comes all their money.

The Mains of South Carolina pride themselves on treating their slaves fairly and nicely, but when a man can be hanged or branded with fire on the face for trying to run away from his ‘owner,’ then you know there’s a problem with the whole damn system. People are human beings, not cattle. Even cattle themselves don’t deserve to be treated like that.

And the poor female slaves are having the shit raped out of them as well by the white overseers like the horrible Salem Jones. What do the plantation owners do about this? They neither know nor care about it, my friends.

The term ‘Gone With The Wind’ referred to the ‘Southern way of life,’ gracious, easy-going, privileged, cultured, genteel and all the rest of it, disappearing for ever in the Civil War, trampled underfoot by dusty, nasty Yankee boots. But a way of life that has so many basic human rights violations as its bedrock could never be permitted to exist indefinitely.

Orry’s mother, played by SPARTACUS actress Jean Simmons, spends a lot of time in the film mooning over photo albums that represent this lost way of life. She’s mourning its loss, weeping for it night and day, but, again, that way of life was based on slave-owning and the slaves doing all the work while the Southerners sat around, being genteel in their fabulous mansions. Again, how could this last…?

The Hazards up North (Pennsylvania) make their money, not from genteel cotton, but from vulgar industry, in the form of Hazard Iron. On the plus side, they don’t use slave labour to run their factories for them for nothing.

George (played by James Read) and Orry clash continually on the issue of the Mains using slave labour, and it causes such contention between them that they have to agree to disagree on the touchy subject and steer clear of it if they want to remain friends.

The dreamy Patrick Swayze plays the handsome and dashing Orry Main, the typical courteous, gallant, chivalrous Southern gentleman who would never permit a lady to step through a puddle while he had a coat to spread across it first. But he also owned slaves. Unfortunately, we can’t forget about that.

Orry is desperately in love with Madeline Fabray La Motte, played by English beauty Lesley-Anne Down. Madeline has been married off by her father to the abusive Justin La Motte, brilliantly played by David Carradine of the Carradine acting dynasty.

Justin is a brutal slave-owner, who revels in the violence he’s allowed to get away with just because he’s a rich white Southern male slave-owner. He hits Madeline, he whips his slaves and he wants Virginia to secede from the Union, the one bit of the Civil War I always find hard to understand. I think it’s a bit like Britain leaving the EU, but you might want to check up on that for yourselves, lol.

Orry and Madeline have a super-exciting, super-sexy secret affair for donkey’s years behind Justin’s back, during which time Orry never so much as looks as another woman and positively lives for their sexy-time trysts in the old abandoned church. Justin uses that same church for his dalliances with slave-girls. If the old deserted church gets any busier, some sort of booking or queuing system will have to be worked out.

George, meanwhile, is stuck with goody-goody Constance (Wendy Kilbourne: MIDNIGHT CALLER with Gary Cole), whose dreadful ‘Oirish’ accent on the show attracted a fair amount of ridicule at the time. PS, Guess who married each other after meeting on the set? You guessed it; James Read and Wendy Kilbourne, lol!

George’s brother, Stanley (Jonathan Frakes: STAR TREK: THE NEXT GENERATION), has lovely eyes but he’s fiddling the books at Hazard Iron with the help of his ball-breaking wife, Isabel, who is played by a different actress in each of the three segments.

George’s brother Billy (he morphs from Cary Guffey, who played little Barry Guiler from CLOSE ENCOUNTERS OF THE THIRD KIND, 1977, into Parker Stevenson from THE HARDY BOYS in the second segment) marries Orry’s milksop sister Brett, which proves to be extremely problematic once the war kicks off, as their families are each on different sides.

George and Orry have one very interesting sister apiece. Orry’s sibling Ashton (Terri Garber) is a great character. She would sell her whole family down the river for a diamond necklace. She’s a total social-climbing, money-grabbing bitch who marries for social advancement but carries on a sizzling affair with Elkanah Bent (Philip Casnoff) behind her politician husband’s back.

Bent is a short man with a Napoleon complex (Say ‘I am a military genius, you can’t kill me!’ in a Southern accent!) who has been Orry and George’s bitter enemy since their Westpoint days. Check out Bent’s duel with Orry at Westpoint. Bent doesn’t have a prayer against a bona fide Southern gentleman, much to the amusement of those present. Orry’s lovely floppy hair in this section deserves a credit all of its own. Guess who just stepped out of a salon…?

Anyway, the evil Bent won’t rest until he’s created the ’empire’ for himself he knows he deserves. He uses Ashton to help him achieve this, and if he can take down Orry Main at some point along the way, so much the better.

Bent is pathologically jealous of Orry for his wealth and his sense of Southern entitlement, and his hatred for Orry twists and contorts his judgement till he can’t even see straight, never mind think things out rationally and logically, so you just know he’s gonna come a massive cropper in the end.

George’s sister Virgilia (Kirstie Alley: CHEERS) is an Abolitionist, someone who wants to free the slaves. Her marriage to a handsome slave called Grady (‘You wants to lay with me, don’t you?’) causes great embarrassment to her family, and her disastrous affair with the oily Congressman Sam Greene (David Ogden Stiers) will see poor Virgilia finally come to the end of her rope. Well-meaning but ill-fated, that’s our Virgilia. Terrific character, though.

NORTH AND SOUTH had a terrific theme tune and really long credits featuring little drawings of the characters, and it gave old Hollywood greats such as Jean Simmons, James Stewart, Robert Mitchum and Olivia De Havilland (if you thought she was old THEN, lol…!) another stab at the brass ring.

Erica Gimpel (Coco from FAME) and Forest Whitaker both play slaves. Linda Evans, Krystle Carrington from DYNASTY, and Johnny Cash both have cameos, as do Morgan Fairchild (Chandler’s bitchy mother from FRIENDS), Peter O’Toole, Robert Wagner, Elizabeth Taylor, Gene Kelly and Nancy Marchand (Tony’s Ma from THE SOPRANOS).

It’s truly a magnificent sweeping epic, romantic and historical, and you accidentally pick up a fair bit of info about the Civil War as well. Hal Holbrook (THE FOG, THE SOPRANOS) plays Abe Lincoln for the North, and Lloyd Bridges is Jefferson Davis for the South. All the famous Generals from both sides- Sherman, Grant, Lee, etc. – get a look-in too. Grey uniforms bad, blue uniforms good, in a nutshell, is another way of looking at it, lol.

The battle scenes used real Civil War re-enact-ers, who must have been (excuse vulgarity) jizzing themselves big-time at the thought of acting out all the well-known battles for a big prestigious mini-series like this. I bawled my eyes out when Lee surrendered to Sherman in such a staunch, dignified manner, because that scene is so genuinely moving, but then I remembered about the slaves and I hardened my heart…

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

sandrasandraharris@gmail.com

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

https://twitter.com/SandraAuthor

ASSAULT, also known as IN THE DEVIL’S GARDEN. (1971) REVIEW BY SANDRA HARRIS.

assault tessa screaming

ASSAULT. (1971) BASED ON THE NOVEL ‘THE RAVINE’ BY KENDAL YOUNG. DIRECTED BY SIDNEY HAYERS. STARRING SUZY KENDALL, LESLEY-ANNE DOWN, JAMES LAURENSON, FRANK FINLAY, TONY BECKLEY, DILYS HAMLETT, ALLAN CUTHBERTSON, DAVID ESSEX AND FREDDIE JONES.

REVIEW BY SANDRA HARRIS. ©

This is an excellent British horror-slash-murder mystery from my absolute favourite British horror period, the early ‘Seventies. The stuff they made back then just can’t be surpassed: THE WICKER MAN, THE APPOINTMENT, CRUCIBLE OF TERROR, THE VAMPIRE LOVERS, LUST FOR A VAMPIRE and so many, many more.

In fact, the first six minutes of ASSAULT (the title is the only thing about this that I’d change, it made me word-associate it with rifles, for some reason…!) reminded me of the first five minutes of THE APPOINTMENT, a proper British chiller starring Edward Woodward from THE EQUALISER and THE WICKER MAN.

When the schoolgirl called Sandie is walking home alone from school through the lonely, forbidden path in the forest in THE APPOINTMENT and strange eerie voices are calling to her by name from inside the forest, it gives me chills every time, even though I already know what’s coming.

Speaking of the title, ASSAULT, by the way, the movie does have another title, IN THE DEVIL’S GARDEN, which might have been a little more atmospheric. It’s such a wonderfully atmospheric movie, very of the time in which it was made, and something of a sex pervert’s dream as well, featuring as it does all these sexy, sexually mature seventeen-and-eighteen-year-old schoolgirls in the tiny little pink skirts no longer than gym-slips and pristine white knee-socks they wear to school.

Is it any wonder, then, that an actual sex pervert is loose in the movie, choosing for his victims the girls from Mrs. Sanford’s School For Girls who unwisely walk home alone from school through the adjoining forest…?

The action all seems to take place in a lonely part of the forest called the Common or Devil’s End. He rapes them initially, this dreadful sex pervert, before graduating to rape coupled with strangulation leading to death. It’s a shocking state of affairs.

Lesley-Anne Down in one of her earliest roles plays Tessa Hurst, the first girl from Mrs. Sanford’s to be pursued through the woods and then brutally raped. Lesley-Anne Down (UPSTAIRS DOWNSTAIRS, COUNTESS DRACULA, ARCH OF TRIUMPH with Anthony Hopkins, blockbuster mini-series NORTH AND SOUTH) is one of the most beautiful women ever to grace a cinema screen. Her expressive eyes, her rose-red luscious lips, her lustrous long dark hair all add up to a most pleasing picture indeed.

Her character of Tessa Hurst goes into a state of catatonic shock after the terrible attack. Even I know that, and I’m not a doctor. No amount of throwing a ball at her mid-section and expecting her to catch it will help her to snap out of her coma-like state, are you hearing this, attractive psychiatrist Dr. Greg Lomax…? Heh-heh-heh.

Within six or seven minutes of the first attack, another schoolgirl has been raped and, this time, she’s been choked to death as well. This time round, though, there’s a witness to the murder, the art teacher Julie West as played by Suzy Kendall. She’s an extremely attractive young lady, with her long glorious hippy hair, purple-tinted spectacles, knee-boots and mini-skirts. Very jazzy and of the time.

When she describes the assailant to the Judge at the inquiry as looking just like ‘the Devil,’ the Judge laughs at her and dismisses her as an over-imaginative female. The Judge is played by the same chap (Allan Cuthbertson) who attends Basil Fawlty’s first- and last- ever Gourmet Night at Fawlty Towers when the only item on the menu is, well, duck. And what do you do if you don’t like duck? Well, if you don’t like duck, I’m afraid you’re rather stuck…!

Any one of the men in the film could be the sex killer, which is what keeps the plot ticking over nicely all the way to the end. Every male character is a possible suspect.

There’s John Velyan (Frank Finlay), the copper investigating the dastardly crimes, but you never really get the feeling that he’s anything other than a straight-up copper who’s just dying to put this kinky murdering bastard behind bars where he belongs.

Then there’s the aforementioned attractive investigating psychiatrist Dr. Greg Lomax, who’s played by the devastatingly handsome James Laurenson. He’s sweet on Miss West, the beautiful art teacher, but what’s in all those pills he keeps giving her, that she obediently swallows without even questioning what’s in them? She must indeed be mesmerised by his delicious, chocolatey-brown come-to-bed peepers, because I know I certainly was, tee-hee-hee.

The most obvious suspect is probably the most odious, one Leslie Sanford who’s the husband of Mrs. Sanford who runs the Girls’ School, the school from which all the victims are chosen. Mrs. Sanford, who’s a good deal older and more staid than her husband, is utterly distraught about what’s happening to the good name of her school.

Her husband Leslie, on the other hand, is enjoying seeing his wife’s good name being dragged through the mud. His older wife’s money is what keeps him in the lap of relative luxury and boy, doesn’t he hate her for it! He feels emasculated, so he blames his wife. He even rewards her fidelity and generosity by lecherously groping the schoolgirls under her care.

Leslie Sanford loses no opportunity to slag his mortified wife off to John Velyan, the investigating police officer, but Velyan won’t play ball with the odious little man. He sees right through the nasty piece of work, who even confesses to the rapes but Velyan won’t arrest him. Why not? Let’s just say that Velyan’s got this nasty little scrap of humanity sussed…

There’s also Mr. Bartell, the principal of the local hospital, and Mr. Denning the obnoxious journalist, who absolutely should not get away with terrorising and shadowing Miss West the way he does. Just because he’s a newspaper man in search of a story doesn’t give him the right to behave the way he does.

That just leaves Milton, the police officer assigned to be Miss West’s bodyguard, to round up the list of possible suspects. There’s even a rather sinister-looking electricity pylon in the woods that looks like it might be culpable of some wrong-doing at some point.

Grip, the Sanfords’ dog, is a male all right but he definitely isn’t a suspect. Popular singer David Essex as the chap who comes into the pharmacy with his girlfriend isn’t a suspect, exactly, but he’ll certainly think twice before he whips out his lighter in public again…!

ASSAULT is one of the finest films of its time. I’m only surprised it’s not better-known. It’s got a fantastic cast and a great plot which sees a crazed sex killer running amok amongst the lovely nubile pupils of a local girls’ school. What’s not to love…?

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, film blogger, poet and book-and-movie reviewer. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens’ fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

You can contact Sandra at:

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

sandrasandraharris@gmail.com

https://twitter.com/SandraAuthor