I absolutely love this film, but, if I tell you that vomit bags were issued to movie patrons during screenings of it in America, it might give you a teensy-weensy clue as to how violent and stomach-churning it can be at times. If you’re of a nervous or wobbly disposition, I strongly suggest you refrain from viewing it.

If, however, you’re like me and thoroughly enjoy a good witch-burning movie from the late sixties/early seventies, you’ll absolutely bloody love it. When a horror film starts with nuns being raped, you know it’s time to usher the kids up to bed, hunker down and open the wine. Some seriously adult stuff is about to go down…

The original screenplay was for a film entitled THE WITCH-HUNT OF DOCTOR DRACULA, the brainchild of producer Adrian Hoven, which (sadly?!) never got made. Instead, hot young British director Michael Armstrong was invited on board and he turned the film into pretty much the best witch-finding film ever made. It even out-witch-finder-ed Michael Reeves’s WITCHFINDER GENERAL from 1968 starring Vincent Price, and that’s a cracking film.

Although the finished product is a top-notch horror film, the production was troubled from the start. All the juicy, funny and even at times outrageous behind-the-scenes gossip can be found in Michael Armstrong’s gorgeous glossy screenplay book, MARK OF THE DEVIL, currently for sale from Michael’s own website and from his publishers, Paper Dragon Productions. I’ll pop links in at the end.

The film itself is unforgettable. Set in a village in seventeenth-century Austria, it begins with the local witchfinder, a hideous-looking villainous murderer called Albino, capturing the aforementioned nuns and one monk and sentencing them to death for allegedly practising witchcraft.

Without a shred of proof, a hint of a formal indictment or a ghost of a proper trial, I might add. But that’s just the way they did it back then. The nuns and monk die horribly, but that’s only the beginning of the viewer’s nightmarish trip back in time to witch-burning Europe.

Back in those days, you could accuse someone of witchcraft if they’d pissed you off even slightly or if you fancied taking their cow or pig for yourself. It seemed like all you had to do was point the finger and an angry mob would form behind you, baying for the ‘witch’s’ blood. Remember Homer in THE SIMPSONS? ‘I accuse Goody Flanders…!’

And these are only the locals. When the Church-and-state-appointed Witchfinder trundles into town in his carriage (which may have been used by a real witch-finder back in the day; filming was done in an Austrian castle which contained a genuine torture chamber and real, authentic instruments of torture), things are about to get a whole lot worse. Oh yes, they can get worse…!

The horrible local witchfinder Albino has accused a beautiful young barmaid called Vanessa Benedict of being a witch. Why? Because she won’t have sex with him and fights off his attempted rape of her, and who would blame her?

He’s a vicious, murdering thug who enjoys raping women and hurting people of either sex. He gets immense satisfaction out of pricking her with his infamous ‘witchfinder’s needle,’ looking for the so-called ‘Devil’s mark.’

Vanessa is brought before the ‘court’ of the new witchfinder in town, the stern Lord Cumberland, well played by Herbert Lom. Vanessa is thrown in jail to await the preparation of the formal indictment against her, much to the distress of Count Christian von Meru, Lord Cumberland’s young apprentice witchfinder.

The divinely handsome Christian (oh God, those beautiful eyes!)  is madly in love with the busty Vanessa and she with him, but Lord Cumberland advises Christian to put aside the temptations of the flesh and concentrate on ridding the world of the evils of witchcraft.

But Christian has extremely high ideals and morals, and when one fateful day he sees his adviser and mentor Lord Cumberland commit an act that no decent man of the cloth would ever so much as contemplate, he finds himself terribly torn, torn between his love of Mother Church and his love for Vanessa, a real human female who can fill his life with love, warmth and laughter. Which will he choose, and what will it cost him…?

The Austrian scenery- the mountains, the lakes, the rolling green hills- is stunning to look at (the hills are certainly alive), and I love the score as well. The film is most famous- or should that be notorious- for its torture scenes, and the reputation is warranted, I tells ya, warranted. Don’t you be telling me it’s not warranted. And if you tell me you think the film’s depiction of torture is too graphic, I’ll just say this: it all happened that way in real life, didn’t it…?

Poor beautiful Deirdre von Bergenstein and the young Baron Daumer experience the full benefits of Lord Cumberland’s dubious hospitality. What’s on the menu? Well, the thumbscrews, the rack, whipping, both on the body and on the soles of the feet, a special chair with nails sticking up out of it for the posterior and, for Deirdre, something so disgusting and terrible that vomit bags had to be issued alongside your cinema ticket back in the day. And some of them were actually used for that exact purpose, as well. By the way, I thought the water torture guy was getting off lightly at first, but, by the time we’d witnessed his total mental degeneration, I wasn’t so sure…

The film does an excellent job of showing us exactly why witch-finding was so popular back in those days. The Church benefited by confiscating the property and riches of any wealthy noblemen- or women- they accused of witchcraft.

The prisoners might escape with their lives if they signed their estates over to the Church, and if they refused to do so, they were burned as witches and the Church nicked their stuff anyway. Win-win, but not for the poor victims. Talk about a cast-iron, Church-and-state-sanctioned excuse for raping and pillaging. Disgusting.

I love Herbert Fux as Jeff Wilkins, the witchfinder’s heavy. He carries out the torture with such gusto! You don’t often get to see a man enjoying his job so much. Gaby Fuchs is wonderful too as the poor brutalised Deirdre, and Udo Kier and Olivera Vuco as Christian and Vanessa make an exceedingly good-looking couple. Does their story have a happy ending? You’ll have to watch this controversial cult classic to find out, folks. But keep those vomit bags handy, just in case…    
You can buy all of Michael’s screenplay books at the following links:


Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:

The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books:


reggie nalder face



This is a very strange film; I’m not honestly sure if I’ve ever seen a stranger. I’m reviewing it, though, because of two things. One, it’s referred to on the DVD box as ‘the infamous midnight movie gem, ZOLTAN: HOUND OF DRACULA,’ which harks back to an earlier, possibly much cooler and more exciting era of cinema-going.

And two, because it co-stars Reggie Nalder, who, a year or two later, went on to star as Mr. Kurt Barlow, in other words the vampire, in the television dramatisation of Stephen King’s superb SALEM’S LOT, one of the best vampire books ever written. It’s right up there with DRACULA itself, Anne Rice’s INTERVIEW WITH THE VAMPIRE and Whitley Strieber’s THE HUNGER. Mr. Barlow is an extremely sinister character, maybe one of the scariest ever screen vampires.

ZOLTAN: HOUND OF DRACULA starts in modern times, with a bunch of soldiers back in ‘the old country,’ i.e., Romania, blasting open a tomb that contains the coffins of dozens of dead members of the Dracula family. That’d be quite the find for us vampire lovers, wouldn’t it?

The dopey soldier ordered to guard the tombs overnight thinks it might be a good idea to pull the stake out of the body of one Dracula family member. It’s the last bright idea he ever has, poor lad.

The corpse he’s unwittingly re-animated is that of Zoltan, Count Dracula’s faithful big black hound, a Doberman Pinscher, and Zoltan’s first task in his new life is to kill the dopey soldier who unintentionally gave him that life again. That’s gratitude for you, eh?

The clever doggie then pulls the stake out of his beloved master, not Count Dracula himself but a part-vampire called Veidt Schmidt (Reggie Nalder), a servant of the Count’s like himself. Together, Zoltan and Schmidt served the Count faithfully back in the day, but now all the Draculas have expired and there’s no-one left for the pair to work for. Or is there…?

The last of the long line of Draculas was apparently smuggled out of Romania years ago for his own safety. Name of Michael Drake, he now lives in California, America, and apparently has no idea he’s a vampire. Schmidt and Zoltan travel to California to find Michael, pursued hotly by an Inspector Branco from ‘the old country,’ whose job it is to stop them.

In the meantime, Michael, a typically American middle-aged married man with a family, has piled his wife and two kids, their two German Shepherd dogs and a box of adorable newborn puppies into their gigantic Winnebago camper van for a holiday by an isolated lake. How long will it be before Veidt and Zoltan, and then Inspector Branco, catch up with them there?

What I didn’t really get about the movie is this: if Veidt and Zoltan want to find Michael to beg him to be their master again, why are all their overtures towards him murderous? Why are they constantly trying to kill him, then?

Some of the scenes featuring dog attacks are very vicious, especially the one where Zoltan is attacking a lonely hitchhiker, and another one where several dogs are keeping Branco and Michael, now fighting fiercely together to defeat the representatives of the house of Dracula, under siege in a fishermen’s cottage.

The dog attacks look so real, and by this stage Zoltan has recruited some local doggies to his cause as well, including Michael’s big mutts Annie and Ramsey. We even see the adorable missing black puppy being vampirised and turned into a puppy of the Un-dead. It’s too cute and weird, but then I mentioned that it was a strange movie, didn’t I?

It’s a very odd little film indeed, but worth at least one watch for Reggie Nalder’s tremendously creepy made-for-horror face and also for all the doggie action, both cute and spooky. Bow-wow, Zoltan old friend, bow-wow. The Meaty Chunks are under the sink.


Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:

You can contact Sandra at: