SHE MADE A MONSTER. (2022) A BRILLIANT SHORT FILM REVIEWED BY SANDRA HARRIS.

SHE MADE A MONSTER. (2022) WRITTEN, DIRECTED AND EDITED BY JAY REEL.
STARRING FAITH KESTER, PAYTON BOTELHO AND ANDREW BILLINGSLEY.
ORIGINAL SCORE BY JEFF PILCHER.
REVIEW BY SANDRA HARRIS. ©

‘Let the girl ping…!’

‘Henry’s in the cloud now…’

‘Now fill me up with duct tape. Quack quack…!’

Humph. When I was a young ‘un, we sat sedately indoors all the time, embroidering elaborate tapestries, playing the harpsichord and singing to demonstrate our accomplishments, giggling behind our fans and waiting for Messrs Darcy and Bingley to come along and validate our very existences by, to put it bluntly, putting a ring on it. It was the done thing back then.

Kids today, however, are all about their gadgets. My son texts me from upstairs to order a snack sent to his room at 11.40pm. There’s nothing at all wrong with his legs, by the way. I’m not your fucking butler, I mutter as I struggle with the tray on the stairs and add a single flower in a jam-jar for decoration and fold a napkin expertly into a flock of graceful swans. In flight. Over Greenland. While the Aurora Borealis is fully visible. Well, I have certain standards to uphold…!

Dottie, the little girl in SHE MADE A MONSTER, is no less of a gadget fiend, only she has a decidedly scientific mindset as well. One day, tooling about on her laptop and home-made teleporter after sacrificing her sister’s hamster to the gods of progress, Dottie accidentally creates a bonafide JURASSIC PARK-style T-Rex from a harmless movie dinosaur.

Methinks I recognise a scene from the fabulous 1925 movie, THE LOST WORLD, based on the writings of one Arthur Conan Doyle, who also penned a little-known series of detective novels about a gumshoe called Sherlock Holmes. A lot of potential in those novels. Shame they never took off…

Anyway, now Dottie’s got a genuine Tyrannosaurus Rex in the back garden, to the discomfiture of her angry big sister, the gothic Kate, and her easygoing but slightly bemused Pops. (‘If that’s Sam Dietle’s dog again, I’m calling the animal warden…!’)

You will, of course, recognise the T-Rex from his numerous cinematic roles. You know, big scary razor-teeth, short little arms, terrible trouble jerking off? Yep, that’s the one! I wonder, I really wonder, what God was thinking when he made the biggest most fearsome animal the world has ever known and then gave him arms too short to scratch his balls. Maybe he was feeling playful, or was having a mischievous day…?
 
Anyway, now the killer dinosaur is on the rampage in small town America, eating goats (I see you, JURASSIC PARK!) and terrorising the Led Zeppelin out of the ageing rockers who don’t know whether to shit or go blind when they see what’s ambling down the highway in their direction.

All hell is definitely breaking loose as Dottie and her dotty family high-tail it to Grandma’s house to see if she has enough, erm, tinfoil, to vanquish the dinosaur. Don’t ask, lol, just watch!  

There’s so much humour in the film. There’s the old couple who think they’re still high as kites when they see the dinosaur disporting himself merrily around town: ‘Ah toldja we shouldn’t be smoking in the daytime!’

I also love the old geezer who stands and faces the marauding monster with the immortal words: ‘Buddy, I’ve been to ‘Nam. I seen worse‘n you…!’

And the poor paraplegic guy in the wheelchair who’s trying but failing to commit suicide by the railway tracks: ‘God, Laura’s shacked up with the mailman, ya took mah legs, the least you can do is gimme a natural death…!’ Then he looks up and sees 65 million years of history rumbling down the track towards him and he looks up and says: ‘I’ll give ya this, you’re creative…!’

Faith Kester as Dottie is adorable and extremely confident, as you’d expect from the kids of today. Don’t get me started. Entitled little know-it-alls, every one of them. Look at them crooked and they’re calling Childline.

But Dottie is likeable and funny, so much so that you could nearly forgive her for unintentionally unleashing a beast from the Jurassic era on her sleepy little hometown. I said nearly, mind you. Nearly. Something tells me that there’ll be a yard sale in said hometown pretty soon with a gosh-darn home-made teleporter as the piece de resistance…

Aw, shucks! This film is funny and clever and will totes remind you of the time when you were a kid and you bought the little dinosaur sponges in the KWIK-E-MART and then, when you got them home and poured water on them, they grew into a gigantic dinosaur that roared fire and gobbled up your little sister until nothing was left of her but a scrap of red dress and a string of pearls. No, wait, that was THE SIMPSONS. Still a good memory, though. It’ll also put you in mind of the movie, THE FLY, in all its superb ickiness.

Anyway, I understand that SHE MADE A MONSTER is currently doing the festival circuit and could conceivably be coming to a screen near you sometime soon. Do watch it if you can. It’ll only take up about twenty minutes of your time that you were probably going to piss away anyway. Ah, don’t take offence, shure I’m the exact same. I’m going off now to sneak in a quick nap before lunch. (Mindy, the Simpsons again, lol.) Happy watching.

PS, There will be a memorial service tonight at the community centre at 123, Fake Street for Henry the Hamster. Henry was a beloved member of his community and leaves behind a grieving wife and four hundred and seventeen children, all of whom will dearly miss their wonderful ‘Pops.’

The family have requested that mourners who would wish to honour Henry by bringing flowers ditch that idea and bring enough cheese, pumpkin seeds and gnaw sticks for four hundred and eighteen hungry hamsters instead.

Anyone who wishes to remember Henry in poem or song will be given the opportunity to do so. The memorial service will last from 7pm to 9pm. You are asked to leave the hall as you found it, and to please watch out for next door’s cat, who’s a proper c*nt. God bless us every one.

    AUTHOR BIOGRAPHY OF SANDRA HARRIS.
 
Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:
http://www.amazon.com/-/e/B015GDE5RO
Her new book, THIRTEEN STOPS EARLIER, is out now from Poolbeg Books:
https://amzn.to/3ulKWkv
Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:
https://www.amazon.com/Thirteen-Stops-Sandra-Harris-ebook/dp/B089DJMH64
The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books:
 https://www.amazon.co.uk/Thirteen-Stops-Later-Book-ebook/dp/B091J75WNB/
    

THE INVISIBLE MAN. (2020) REVIEW BY SANDRA HARRIS. ©

THE INVISIBLE MAN. (2020) WRITTEN AND DIRECTED BY LEIGH WHANNELL. BASED ON THE BOOK OF THE SAME NAME BY H.G. WELLS.
STARRING ELISABETH MOSS, OLIVER JACKSON-COHEN, MICHAEL DORMAN, ALDIS HODGE, STORM REID AND HARRIET DYER.
REVIEW BY SANDRA HARRIS. ©

I absolutely loved this sort of modern re-boot of THE INVISIBLE MAN, the film(s) based on H.G. Wells’ classic novel. It totally reminded me of my favourite Julia Roberts’ film, SLEEPING WITH THE ENEMY, in which the toothsome one plays a battered wife escaping from her husband’s magnificent but soulless beach house and faking her own death at the same time, so he won’t be able to track her down.

I love that scene when she pitter-patters soaking wet through the empty, darkened beach house on the night of her own ‘death,’ grabbing the emergency bag of clothes and money she’s had ready for God knows how long, chopping her long hair shorter and disposing of her wedding ring in the toilet. Here it sits silently as a damning clue to her actions until the husband, chillingly played by Irish actor Patrick Bergin, finds it some time later and draws his own devastating conclusions…

In THE INVISIBLE MAN, Elisabeth Moss, an actress I’m not familiar with, does a phenomenal job as battered wife Cecilia Kass, an architect and a perfectly decent person in her own right. But her utter scumbag of a scientist husband, Adrian Griffin, has reduced her to a mere shadow of her former self with his violence and controlling ways. So, when the movie opens, Cecilia is escaping from the beach house and her sleeping husband, and desperately hoping he’ll stay asleep until she’s far, far away…

Safe in the home of her younger sister Emily’s boyfriend James’s house- he’s positively dreamy, this fella, and a cop as well- Cecilia hasn’t even really begun to pick up the pieces of her shattered life when she receives a bombshell from Emily in the form of a piece of almost unbelievable news… the news that abusive hubby Adrian has seemingly taken his own life…

That’s all well and good, but, if Adrian is dead, why does Cecilia feel like she’s being stalked by him? Little things are happening that no-one else would really take seriously, but that Cecilia knows are signs that Adrian is back in her life again. But how? He’s dead, innit, and, not only that, but he certainly doesn’t have powers of invisibility that would permit him to shadow his terrified wife without being seen, or does he…?

You can’t blame James and Emily for thinking that poor CeeCee has a screw loose. Dead people don’t suddenly rise from the dead and stalk their bereaved and grieving loved ones under cover of a cloak of invisibility.

But they’ve reckoned without Adrian’s expertise in the field of optics, his passion for making himself invisible one day and his overwhelming need to dominate and control what’s his… and that very definitely includes his wife, Cecilia…

There are a few loopholes in the film, such as, who’s been feeding Zeus the dog if the beach house has been empty all this time? Or has Adrian been staying there on the sly the whole time and feeding his pet? Fear not, folks!

On a recent Zoom call with the actor who plays Zeus the dog, I was reliably informed that the local eateries and take-out emporia kept him well supplied with tasty nosh during filming, on condition, of course, that he mentioned their names wherever possible. Yum Thai, Yum Thai, Yum Thai, Yum Thai, Yum Thai, etc. Woof woof…!

You might recognise Oliver Jackson-Cohen, the actor who plays Adrian the jerky husband, as having also played a jerk in two terrific Netflix spooky series of recent times, THE HAUNTING OF HILL HOUSE and THE HAUNTING OF BLY MANOR. Clearly, he’s not going to be called upon to play Mahatma Gandhi or Nelson Mandela any time soon. Only cocky young jerks, lol. He’s scarily good at portraying an abuser.

The theme of domestic abuse (sexual abuse and control feature here also) is incredibly timely as, everywhere we look today, men’s violence against women and control over them is being called out, even in cases where the abuser is rich and famous, which is immensely heartening to see.

In days gone by, we would have expected to see people like Jeffrey Epstein and Ghislaine Maxwell get away with their crimes, but no more. Hopefully this is the way things will stay. They were the other way for far too long.

By the way, the film is written and directed by Leigh Whannell of INSIDIOUS and SAW fame, which I love, though there’s no sign of his usual film-making partner, James Wan. Were they on a break, like Ross and Rachel? Were they sick of being always mentioned in the same breath, like Bonnie & Clyde, or Butch Cassidy & the Sundance Kid? If you asked Leigh Whannell where’s his sidekick James Wan, would he mutter, Father Damo-style, he’s not the boss of me…? Or is this just a coincidence? Probably, to be honest, lol.

Cecilia’s NIKE trainers are in full view for most of the film, by the way, so I guess she must really dig those trainers, lol. Well, what else could it mean? I’m off now, anyway, to filch some grub from somewhere. For some reason, I’m pining for a huge feast of Yum Thai. Wonder if we have a menu anywhere…?

AUTHOR BIOGRAPHY OF SANDRA HARRIS.
 
Sandra Harris is a Dublin-based novelist, poet, short story writer and film and book blogger. She has studied Creative Writing and Vampirology. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, women’s fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra’s books by following the link below straight to her Amazon Author Page:
http://www.amazon.com/-/e/B015GDE5RO
Her debut romantic fiction novel, ‘THIRTEEN STOPS,’ is out now from Poolbeg Books:
https://www.amazon.com/Thirteen-Stops-Sandra-Harris-ebook/dp/B089DJMH64
The sequel, ‘THIRTEEN STOPS LATER,’ is out now from Poolbeg Books:
 https://www.amazon.com/dp/1781994234